Ni os, ni muscles, ni sang, ni vie, ni relief, rien enfin de ce qui constitue l'imitation  

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Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.
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Train wreck at Montparnasse (October 22, 1895) by Studio Lévy and Sons.

"Ni os, ni muscles, ni sang, ni vie, ni relief, rien enfin de ce qui constitue l'imitation" (“Neither bones, nor muscles, neither blood nor life, nor relief, nothing in fact of what is imitation”) is a criticism by French art critic Charles Landon with regards to Ingres's the Grande Odalisque.

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Unless indicated otherwise, the text in this article is either based on Wikipedia article "Ni os, ni muscles, ni sang, ni vie, ni relief, rien enfin de ce qui constitue l'imitation" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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