New Queer Cinema
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New Queer Cinema is the seemingly simultaneous appearance on the independent film circuit of movies dealing openly and even aggressively with queer culture, politics, and identity that began in the early 1990s.
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New Queer Cinema figures
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Directors
- Gus Van Sant: Mala Noche, My Own Private Idaho, Even Cowgirls Get the Blues
- Todd Haynes: Poison, Safe, Dottie Gets Spanked, Velvet Goldmine, Far From Heaven
- Christopher Munch: The Hours and Times
- John Cameron Mitchell: Hedwig and the Angry Inch, Shortbus
- Gregg Araki: The Living End, The Doom Generation, Mysterious Skin
- Tom Kalin: Swoon
- Derek Jarman: Edward II, Caravaggio
- Bruce LaBruce: No Skin Off My Ass (although this might properly be classified as Queercore)
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Producers
- Christine Vachon: Poison and Swoon
- Andrea Sperling: The Hours and Times and The Doom Generation
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See also
Unless indicated otherwise, the text in this article is either based on Wikipedia article "New Queer Cinema" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.
