Realism (arts)
From The Art and Popular Culture Encyclopedia
| Revision as of 15:14, 29 March 2013 Jahsonic (Talk | contribs) ← Previous diff |
Current revision Jahsonic (Talk | contribs) |
||
| Line 1: | Line 1: | ||
| - | [[Image:A Bar at the Folies-Bergère.jpg|thumb|200px|right|''[[A Bar at the Folies-Bergère]]'', painted and exhibited at the [[Paris Salon]] in [[1882]], was the last major work by French painter [[Édouard Manet]] before he died. It depicts a scene in the [[Folies Bergère]] [[nightclub]] in [[Paris]], depicting a [[bar]]-[[girl]], one of the [[demimondaine]], standing before a [[mirror]].]] | + | [[Image:Olympia (1863) by Édouard Manet.jpg|thumb|left|200px|''[[Olympia (Manet) |Olympia]]'' (detail) by Édouard Manet was a succès de scandale when it was first exhibited at the [[Paris Salon of 1865]]. Today, it is considered as the start of modern art.]] |
| - | [[Image:Olympia (1863) by Édouard Manet.jpg|thumb|right|200px|''[[Olympia (Manet) |Olympia]]'' (detail) by [[Édouard Manet]] was a [[succès de scandale]] when it was first exhibited at the [[Paris Salon of 1865]]. Today, it is considered as the start of [[modern art]].]] | + | {| class="toccolours" style="float: left; margin-left: 1em; margin-right: 2em; font-size: 85%; background:#c6dbf7; color:black; width:30em; max-width: 40%;" cellspacing="5" |
| + | | style="text-align: left;" | | ||
| + | '"I do not object to the [[latrine]]; [[hospital]]; and [[workshop]] vocabulary of [[Naturalism (literature)|naturalism]]. For one thing, the subject matter requires some such diction. Again, [[Zola]], in ''[[L'Assommoir]]'', has shown that a heavy-handed artist can slap words together hit-or-miss and give an effect of tremendous power. I do not really care how the naturalists maltreat language, but I do strenuously object to the earthiness of their ideas. They have made our literature the incarnation of [[materialism]]--and they glorify the democracy of art!'--''[[Là-bas (novel) |Là-Bas]]'' (1891) by Joris-Karl Huysmans | ||
| + | |} | ||
| + | [[Image:A Bar at the Folies-Bergère.jpg|thumb|200px|right|''[[A Bar at the Folies-Bergère]]'']] | ||
| {{Template}} | {{Template}} | ||
| - | '''Realism''' in the [[Realism (visual arts)|visual arts]] and [[Literary realism|literature]] refers to the general attempt to depict subjects as they are considered to exist in third person [[objective reality]], without embellishment or interpretation. As such, the approach inherently implies a belief that such [[reality]] is [[ontological]]ly independent of man's conceptual schemes, linguistic practices and beliefs, and thus can be known (or knowable) to the artist, who can in turn represent this 'reality' faithfully. As [[Ian Watt]] states, modern realism "begins from the position that truth can be discovered by the individual through the senses" and as such "it has its origins in [[Descartes]] and [[John Locke|Locke]], and received its first full formulation by [[Thomas Reid]] in the middle of the eighteenth century." | + | '''Realism''' in [[the arts]] is generally the attempt to represent subject matter truthfully, without [[artificiality]] and avoiding [[speculative fiction]] and [[fantasy literature|supernatural elements]]. The term is often used interchangeably with '''naturalism''', even though these terms are not [[synonymous]]. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of [[linear perspective]] and [[illusionism]] in [[Renaissance]] Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier [[academic art]], refers to a specific art historical movement that originated in France in the aftermath of the [[French Revolution of 1848]]. With artists like [[Gustave Courbet]] capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the common man and the rise of [[leftist]] politics. The Realist painters rejected [[Romanticism]], which had come to dominate French literature and art, with roots in the late [[18th century]]. |
| - | Realism often refers more specifically to the artistic movement, which began in [[France]] in the 1850s. Realism in France appears after the [[French Revolution of 1848|1848 Revolution]]. These realists positioned themselves against [[romanticism]], a genre dominating French literature and artwork in the late 18th and early 19th centuries. Seeking to be undistorted by personal bias, Realism believed in the ideology of [[Reality|objective reality]] and revolted against the exaggerated emotionalism of the romantic movement. Truth and accuracy became the goals of many Realists. Many paintings depicted people at work, underscoring the changes wrought by the [[Industrial Revolution]] and [[Commercial Revolution]]s. The popularity of such 'realistic' works grew with the introduction of [[photography]] — a new visual source that created a desire for people to produce representations which look “objectively real.” | + | In 19th-century Europe, '''Naturalism''' or the '''Naturalist school''' was somewhat artificially erected as a term representing a breakaway sub-movement of Realism, that attempted (not wholly successfully) to distinguish itself from its parent by its avoidance of politics and social issues, and liked to proclaim a quasi-scientific basis, playing on the sense of "naturalist" as a student of [[natural history]], as the [[biological sciences]] were then generally known. |
| - | The term is also used to refer to works of art which, in revealing a truth, may emphasize the ugly or sordid, such as works of [[social realism]], [[Regionalism (art)|regionalism]] or [[Kitchen sink realism]]. | + | There have been various movements invoking realism in the other arts, such as the [[opera]] style of [[Verismo (music)|verismo]], [[literary realism]], [[Realism (theatre)|theatrical realism]], and [[Italian neorealism|Italian neorealist cinema]]. |
| ==Visual arts== | ==Visual arts== | ||
| Line 23: | Line 27: | ||
| ==Cinema== | ==Cinema== | ||
| - | :''[[Neorealism (art)]], [[Poetic realism]], [[Socialist realism]]'' | + | :''[[Cinematic realism]]'' |
| [[Italian neorealism]] was a cinematic movement incorporating elements of realism that developed in post-WWII Italy. Notable Neorealists included [[Vittorio De Sica]], [[Luchino Visconti]], and [[Roberto Rossellini]]. | [[Italian neorealism]] was a cinematic movement incorporating elements of realism that developed in post-WWII Italy. Notable Neorealists included [[Vittorio De Sica]], [[Luchino Visconti]], and [[Roberto Rossellini]]. | ||
| - | |||
| ==See also== | ==See also== | ||
Current revision
|
'"I do not object to the latrine; hospital; and workshop vocabulary of naturalism. For one thing, the subject matter requires some such diction. Again, Zola, in L'Assommoir, has shown that a heavy-handed artist can slap words together hit-or-miss and give an effect of tremendous power. I do not really care how the naturalists maltreat language, but I do strenuously object to the earthiness of their ideas. They have made our literature the incarnation of materialism--and they glorify the democracy of art!'--Là-Bas (1891) by Joris-Karl Huysmans |
|
Related e |
|
Featured: |
Realism in the arts is generally the attempt to represent subject matter truthfully, without artificiality and avoiding speculative fiction and supernatural elements. The term is often used interchangeably with naturalism, even though these terms are not synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, refers to a specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the common man and the rise of leftist politics. The Realist painters rejected Romanticism, which had come to dominate French literature and art, with roots in the late 18th century.
In 19th-century Europe, Naturalism or the Naturalist school was somewhat artificially erected as a term representing a breakaway sub-movement of Realism, that attempted (not wholly successfully) to distinguish itself from its parent by its avoidance of politics and social issues, and liked to proclaim a quasi-scientific basis, playing on the sense of "naturalist" as a student of natural history, as the biological sciences were then generally known.
There have been various movements invoking realism in the other arts, such as the opera style of verismo, literary realism, theatrical realism, and Italian neorealist cinema.
Contents |
Visual arts
In general, realists render everyday characters, situations, dilemmas, and objects, all in a "true-to-life" manner. Realists tend to discard theatrical drama, lofty subjects and classical forms of art in favor of commonplace themes. The term is applied to, or used as a name for, various art movements or other groups of artists in art history. Often cited as the first realist painter is Gustave Courbet who also wrote a manifesto of realism of sorts.
Literature
Broadly defined as "the faithful representation of reality", was based on the dogma of "objective reality", and was focused on showing everyday, quotidian activities and life, primarily among the middle or lower class society, without romantic idealization or dramatization.
While the preceding romantic era was also a reaction against the values of the Industrial Revolution, realism was in its turn a reaction to romanticism, and for this reason it is also commonly derogatorily referred as "traditional" "bourgeois realism". Some writers of Victorian literature produced works of realism. The rigidities, conventions, and other limitations of "bourgeois realism," prompted in their turn the revolt later labeled as modernism; starting around the 1900, the driving motive of modernist literature was the criticism of the 19th-century bourgeois social order and world view, which was countered with an antirationalist, antirealist and antibourgeois program.
Theatre
The achievement of realism in the theatre was to direct attention to the social and psychological problems of ordinary life. In its dramas, people emerge as victims of forces larger than themselves, as individuals confronted with a rapidly accelerating world. These pioneering playwrights were unafraid to present their characters as ordinary, impotent, and unable to arrive at answers to their predicaments. This type of art represents what we see with our human eyes.
Cinema
Italian neorealism was a cinematic movement incorporating elements of realism that developed in post-WWII Italy. Notable Neorealists included Vittorio De Sica, Luchino Visconti, and Roberto Rossellini.
See also
- Simulated reality
- Chanson réaliste (realist song), a style of music performed in France primarily from the 1880s until the end of World War II
- Aspectism
- Pseudorealism
- Magic realism
