Musique Fantastique: A Survey of Film Music in the Fantastic  

From The Art and Popular Culture Encyclopedia

Jump to: navigation, search

"Spain's leading film composer is Antón García Abril, who began scoring movies in the 60's and has written the music for a number of Spanish horror films since then, using a variety of impressive horror and melodic motifs, a such as a romantic theme for THE LORELEI' S GRASP"--Musique Fantastique: A Survey of Film Music in the Fantastic (1985) by Randall D. Larson

Related e

Wikipedia
Wiktionary
Shop


Featured:

Musique Fantastique: A Survey of Film Music in the Fantastic (1985) is a book by Randall D. Larson.

Blurb:

This book discusses the use of scores in horror, science fiction and fantasy films, covering the 1930's to the 1980's, with chapters on Herrmann, Goldsmith, Rózsa, Japanese monster movies, Hammer horror movies, John Williams, electronic music and how classical music has been integrated into these film genres.

See also




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Musique Fantastique: A Survey of Film Music in the Fantastic" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

Personal tools