Film  

From The Art and Popular Culture Encyclopedia

(Redirected from Motion picture)
Jump to: navigation, search

"They can keep their Bressons and their Cocteaus. The cinematic, modern marvelous is popular, and the best and most exciting films are, beginning with Méliès and Fantômas, the films shown in local fleapits, films which seem to have no place in the history of cinema." --Le Surréalisme au cinéma (1953) by Ado Kyrou


“What are commonly called true cinephiles are mental retards (débile mentale) who love “the movies”, people who run to any theatre to submit to viewing any film. They consume with the same pleasure whatever genre of film. That is what is known as cinephilia. It’s an illness, though a less common one than it used to be [during the heydays of the Nouvelle Vague ]”. --Alain Robbe-Grillet


"Few were willing to concede that film, with its roots in pulp fiction, comic strips, popular photography and melodrama, was an art, dismissing it as a fairground attraction or a magician's prop. Ironically, it was a French illusionist, George Méliès (1861-1938), considered by many “the father of the narrative film,” who was to become the screen's first true artist."[1]


The rise of cinema and "moving pictures" in the first decade of the 20th century gave the modern movement an artform which was uniquely its own. -- Sholem Stein, Dec 2004


"The Kino is a vulgar modern entertainment and I doubt if it can tell us anything serious about the modern condition [...]" --Sigmund Freud


[ Cinema is] "a pastime for helots, a diversion for uneducated, wretched, worn-out creatures who are consumed by their worries . . ., a spectacle which requires no concentration and presupposes no intelligence . . ., which kindles no light in the heart and awakens no hope other than the ridiculous one of someday becoming a 'star' in Los Angeles."--Scènes de la vie future (1930) by Georges Duhamel


"With the arrival of cinema, French philosopher Henri Bergson felt the need for new ways of thinking on movement and coined the terms "image-temps" and "image-mouvement" in Matter and Memory (1896). Gilles Deleuze, another French philosopher, took Matter and Memory to explain his views in his Cinéma I & II (1983-1985)." --Sholem Stein


"Romantic authors such as Novalis or Jean Paul, while anticipating the Expressionist notions of visual delirium and of a continual state of effervescence, also seem almost to have foreseen the cinema's consecutive sequences of images. In the eyes of Schlegel in Lucinde, the loved one's features become indistinct: 'very rapidly the outlines changed, returned to their original form, then metamorphosed anew until they disappeared entirely from my exalted eyes.' And the Jean Paul of the Flegeljahre says: 'The invisible world wished, like chaos, to give birth to all things together; the flowers became trees, then changed into columns of cloud; and at the tops of the columns flowers and faces grew. In Novalis's novel Heinrich von Ofterdingen there are even superimpositions."--The Haunted Screen (1952) by Lotte H. Eisner

This page Film is part of the film series.Illustration: screen shot from L'Arrivée d'un train en gare de La Ciotat
Enlarge
This page Film is part of the film series.
Illustration: screen shot from L'Arrivée d'un train en gare de La Ciotat
In 1963, Roger Corman directed The Raven, a horror-comedy written by Richard Matheson very loosely based on the poem, "The Raven" by Edgar Allan Poe. It stars Vincent Price, Peter Lorre, and Boris Karloff as a trio of rival sorcerers.
Enlarge
In 1963, Roger Corman directed The Raven, a horror-comedy written by Richard Matheson very loosely based on the poem, "The Raven" by Edgar Allan Poe. It stars Vincent Price, Peter Lorre, and Boris Karloff as a trio of rival sorcerers.
Extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)
Enlarge
Extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)
 A simple example of a cliché in an art form is that of a western film where two men face each other on a dusty and empty road; one dons a black hat, the other white. Independent of any external meaning, there is no way to tell what the situation might mean, but due to the long development of the "western" genre, it is clear to the informed audience that they are watching a gunfight showdown between a good guy and a bad guy.
Enlarge
A simple example of a cliché in an art form is that of a western film where two men face each other on a dusty and empty road; one dons a black hat, the other white. Independent of any external meaning, there is no way to tell what the situation might mean, but due to the long development of the "western" genre, it is clear to the informed audience that they are watching a gunfight showdown between a good guy and a bad guy.

Related e

Wikipedia
Wiktionary
Shop


Featured:

Kunstformen der Natur (1904) by Ernst Haeckel
Enlarge
Kunstformen der Natur (1904) by Ernst Haeckel

A film, also called a movie or motion picture, is a story conveyed with moving images. It is produced by recording photographic images with cameras, or by creating images using animation techniques or visual effects. The process of filmmaking has developed into an art form and industry.

Films are cultural artifacts created by specific cultures, which reflect those cultures, and, in turn, affect them. Film is considered to be an important art form, a source of popular entertainment and a powerful method for educating — or indoctrinating — citizens. The visual elements of cinema give motion pictures a universal power of communication. Some films have become popular worldwide attractions by using dubbing or subtitles that translate the dialogue.

Films are made up of a series of individual images called frames. When these images are shown rapidly in succession, a viewer has the illusion that motion is occurring. The viewer cannot see the flickering between frames due to an effect known as persistence of vision, whereby the eye retains a visual image for a fraction of a second after the source has been removed. Viewers perceive motion due to a psychological effect called beta movement.

The origin of the name "film" comes from the fact that photographic film (also called film stock) has historically been the primary medium for recording and displaying motion pictures. Many other terms exist for an individual motion picture, including picture, picture show, moving picture, photo-play and flick. A common name for film in the United States is movie, while in Europe the term cinema is preferred. Additional terms for the field in general include the big screen, the silver screen, the cinema and the movies.

Contents

In the history of fiction

history of fiction

In the history of fiction, film became the dominant medium after the arrival of sound film in the late 1920s and early 1930s, displacing the novel and theatre. Until the arrival of home video, film was a community based entertainment medium. In recent years, video games have displaced films as the top grossing entertainment medium.

History

history of film

Motion pictures developed gradually from a carnival novelty to one of the most important tools of communication, entertainment, and mass media in the 20th century. Films have had a substantial impact on the arts, technology, and politics.

Cinema

Cinema is synonym for film.

Etymology

Borrowing from French cinéma, shortening of cinématographe (term coined by the Lumière brothers in the 1890s), from Ancient Greek κίνημα (kínēma, “movement”)

Namesakes

  • Visual Pleasure and Narrative Cinema is a feminist film essay by British academic Laura Mulvey, written in 1973 and first published in 1975.
  • What is Cinema? (original French Qu'est-ce que le cinéma?) is a collection of film essays by André Bazin
  • Cinema Paradiso, a 1988 Italian romantic drama film written and directed by Giuseppe Tornatore.
  • Expanded Cinema by Gene Youngblood (1970), the first book to consider video as an art form
  • To Each His Own Cinema (Chacun son cinéma : une déclaration d'amour au grand écran) is a 2007 French anthology
  • The Pervert's Guide to Cinema (2006) is a two-hour documentary by Sophie Fiennes, scripted and presented by Slavoj Žižek.

Bibliography

See also




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Film" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

Personal tools