Monument  

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"With the growth of communities, social organization, and trade and industry, monumental stone structures appear. Dolmens (dol, table, and men, stone), tombs or monuments to the dead, consisted of several stones set on end with a covering slab, hence the name. Single megaliths, menhirs (men, stone, hir, long), at times seventy feet high, were set up on end individually, or were arranged in long rows, as at Carnac in Brittany. Their purpose, though not clear, may have had to do with a cult of the dead or the worship of the sun." --Gardner's Art Through the Ages (1926) by Helen Gardner

Cenotaph for Newton (1784) by Étienne-Louis Boullée
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Cenotaph for Newton (1784) by Étienne-Louis Boullée

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A monument is a type of structure either explicitly created to commemorate a person or important event or which has become important to a social group as a part of their remembrance of historic times or cultural heritage, or simply as an example of historic architecture. They are frequently used to improve the appearance of a city or location and they contribute to the spirit of place. In English the word "monumental" is often used in reference to something of extraordinary size and power, as in monumental sculpture, but also to mean simply anything made to commemorate the dead, as a funerary monument or other example of funerary art. The word comes from the Latin "monere," which means 'to remind' or 'to warn.' The term is often used to describe any structure that is a significant and legally protected historic work, and many countries have equivalents of what is called in United Kingdom legislation a Scheduled Monument, which often include relatively recent buildings constructed for residential or industrial purposes, with no thought at the time that they would come to be regarded as "monuments".

Cities that are planned such as Washington D.C., New Delhi and Brasília are often built around monuments. The Washington Monument's location (and vertical geometry, though not physical detail) was conceived to help organize public space in the city before it was ever connected with George Washington. Older cities have monuments placed at locations that are already important or are sometimes redesigned to focus on one. As Shelley suggested in his famous poem "Ozymandias" ("Look on my works, ye Mighty, and despair!"), the purpose of monuments is very often to impress or awe. In English the word "monumental" is often used in reference to something of extraordinary size and power. The word comes from the Latin "monere," which means 'to remind' or 'to warn.'

Functional structures made notable by their age, size or historic significance can also be regarded as monuments. This can happen because of great age and size, as in the case of the Great Wall of China, or because an event of great import occurred there such as the village of Oradour-sur-Glane in France. Many countries use Ancient monument or similar terms for the official designation of protected structures or archeological sites which may originally have been ordinary domestic houses or other buildings.

Monuments are also often designed to convey historical or political information. They can be used to reinforce the primacy of contemporary political power, such as the column of Trajan or the numerous statues of Lenin in the Soviet Union. They can be used to educate the populace about important events or figures from the past, such as in the renaming of the old General Post Office Building in New York City to the James A. Farley Building (James Farley Post Office), after former Postmaster General James Farley.

The social meanings of monuments are rarely fixed and certain and are frequently 'contested' by different social groups. As an example whilst the former East German socialist state may have seen the Berlin Wall as a means of 'protection' from the ideological impurity of the west, dissidents and others would often argue that it was symbolic of the inherent fascism and paranoia of that state. This contention of meaning is a central theme of modern 'post processual' archaeological discourse.

Monuments have been created for thousands of years, and they are often the most durable and famous symbols of ancient civilizations. The Egyptian Pyramids, the Greek Parthenon, and the Moai of Easter Island have become symbols of their civilizations. In more recent times, monumental structures such as the Statue of Liberty and Eiffel Tower have become iconic emblems of modern nation-states. The term monumentality relates to the symbolic status and physical presence of a monument.

Until recently, it was customary for archaeologists to study large monuments and pay less attention to the everyday lives of the societies that created them. New ideas about what constitutes the archaeological record have revealed that certain legislative and theoretical approaches to the subject are too focused on earlier definitions of monuments. An example has been the United Kingdom's Scheduled Ancient Monument laws.

Types of monuments

See also




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Monument" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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