Modern novel  

From The Art and Popular Culture Encyclopedia

Jump to: navigation, search

Related e

Wikipedia
Wiktionary
Tumblr
Wikisource
YouTube
Shop


Featured:
A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)
Enlarge
A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)
"The modern novel is born with Richardson, Fielding, Rousseau and Prévost. It then procedes to the The Monk and Ann Radcliffe" --Marquis de Sade, 1800 in Reflections on the Novel.

The first modern novel has generally been ascribed to a series of picaresque novels, most famously Don Quixote (1605) by Cervantes.

Later candidates to the title "modern novel" include Pamela (1740) by Richardson, Pride and Prejudice (1813) by Jane Austen, The Red and the Black (1831) by Stendhal, and Madame Bovary (1857) by Gustave Flaubert. Because of the attention given in these novels to the psychological development of the characters, these novels are also called the first psychological novels.

See also




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Modern novel" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

Personal tools