Modern Painters  

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A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)
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A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)

Modern Painters (1843) is book on art by John Ruskin which argues that recent painters emerging from the tradition of the picturesque are superior in the art of landscape to the old masters. The book was primarily written as a defence of the later work of J.M.W. Turner. Ruskin used the book to argue that art should devote itself to the accurate documentation of nature. In Ruskin's view Turner had developed from early detailed documentation of nature to a later more profound insight into natural forces and atmospheric effects.

Ruskin added later volumes in subsequent years. Volume two (1846) placed emphasis on symbolism in art, expressed through nature. The second volume was influential on the early development of Pre-Raphaelitism. Ruskin also added third and fourth volumes in later years.

Modern Painters is also the title of a contemporary art magazine founded by Peter Fuller.

References

  • Mark Jarzombek, "Recognizing Ruskin: "Modern Painters" and the Refractions of Self", Assemblage, No. 32 (Apr., 1997), pp. 70-87




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Modern Painters" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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