Menno ter Braak  

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"In één opzicht echter kan ik dezen diplomaat gelijk geven: het nationaalsocialisme is inderdaad een beweging van raté's; d.w.z. het is een beweging, waarvan de inspiratie voortkomt uit de rancune, of, als men wil, het ressentiment; twee termen, die ongeveer hetzelfde gebied bestrijken, wier beteekenis voor de cultuur echter zelden in vollen omvang wordt gewaardeerd. Maar is deze rancune de specialiteit van het nationaalsocialisme? Is de raté, in den ruimsten zin van het woord, perse aangewezen óp het nationaalsocialisme? Waar komt de rancune, die zich thans uitgiet in het troebele bassin van den heer Mussert, vandaan?" --"Het Nationaalsocialisme als rancuneleer" (1937) by Menno ter Braak

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Menno ter Braak (1902 – 1940) was a Dutch writer known for such texts as "Het Nationaalsocialisme als rancuneleer" (1937).

Contents

Early career

Ter Braak was born in Eibergen and grew up in the town of Tiel where he was an exemplary student. He went on to the University of Amsterdam where he majored in Dutch and History. He was a regular contributor to the student magazine Propria Cures and involved himself in the study of film (then a very young discipline).

Together with Joris Ivens, Menno ter Braak was also a founder of the Filmliga (Movie League), an organisation for the study of animated film. He completed a Ph.D. dissertation on the medieval emperor Otto III and consecutively worked as a teacher in a number of secondary schools.

Forum movement

In 1932 ter Braak, together with Edgar du Perron and Maurice Roelants, started the literary magazine Forum which proved to be one of the most important literary periodicals in the Dutch-speaking world (it expressly involved Flemish intellectuals as well) in the nineteen-thirties. Forum is widely considered a bulwark of cultural elitism, advocating a high cultural level of discourse, a rational form of literary criticism, consequent individualism and a stern disapproval of all intellectual ornamentation. “Vent boven vorm” (loosely translated: ‘personality over form’) was the catchword of the Forum movement, and Multatuli was one of its most important paragons.

Political involvement

In 1933 ter Braak, then living in The Hague, joined the Dutch liberal daily Het Vaderland (the Fatherland) as a literary affairs editor and was one of the first Dutchmen to understand the looming threat of Nazism. It is in these years that he started het Comité van Waakzaamheid (the Committee for Vigilance). As a public intellectual, he is most famous for his essays, most of which deal with European culture, politics, or a mixture of the two. He is distinctly influenced by Nietzsche and his style is deliberately paradoxical.

Later writing

In his last, and best-known essays he chastises those who would subject themselves to "higher" and "spiritual" values, unmasking the hierarchies behind those values who are working to further their own agenda. Against this subjection to extraneous authorities and false values, ter Braak posits the individualist ideal of the honnête homme, the "Man of Integrity" who will not conform himself to other people's expectations and systems.

A born polemicist, he managed to find himself a diverse group of opponents and by the end of his life had entered into polemics, some of which were hostile with the self-proclaimed representatives of what he considered to be "nebulous collectivisms" such as Catholicism, liberal humanism, Marxism and fascism.

Death

Towards the end of his life he became increasingly involved in the growing anti-fascist movement in the Netherlands. When the Second World War broke out in 1939 he fell into a deep depression. Four days after Nazi Germany had invaded the Netherlands, on 14 May 1940, after a failed attempt to flee to England, Menno ter Braak committed suicide in The Hague by using a sedative, combined with an injection (most likely administered by his brother Wim ter Braak, who was a doctor) of poison. He died on the day the Luftwaffe carpet bombed his former hometown Rotterdam.

His influence remained fairly large and lasted well into the 1950s; during the fifties his influence began to wane but a number of literary periodicals, especially Libertinage and Tirade remained faithful to a number of ter Braak's ideas.

Bibliography

  • 1928 - Kaiser Otto III. Ideal und Praxis im frühen Mittelalter (Ph.D. dissertation)
  • 1929 - Cinema militans (essay)
  • 1930 - Het carnaval der burgers. Een gelijkenis in gelijkenissen (essay) (The Burghers' Carnival. A Parable in Parables)
  • 1931 - De absolute film (essay) (The Absolute Film)
  • 1931 - Afscheid van domineesland (essay) (Saying Goodbye to the Country of Pastors)
  • 1931 - Hampton Court (novel)
  • 1931 - Man tegen man (essay) (Man to Man)
  • 1932 - Démasqué der schoonheid (essay) (Démasqué of Beauty)
  • 1932-1935 - Forum Maandschrift voor letteren en kunst (magazine) (Forum, magazine for literature and the arts)
  • 1933 - Dr. Dumay verliest... (novel) (Dr. Dumay Loses)
  • 1934 - Politicus zonder partij (essay) (Politician without Party)
  • 1935 - De pantserkrant. Een tragicomedie van wapens, schrijfmachines en idealen. Gevolgd door een brief aan een vijandin van het tooneel (play) (The Armoured Newspaper; a tragicomedy of Arms, Typewriters and Ideals, Followed by a Letter to an Enemy of the Theatre)
  • 1935 - Het tweede gezicht (essays) (The Second Face)
  • 1937 - Douwes Dekker en Multatuli (essay) (Douwes Dekker and Multatuli)
  • 1937 - Van oude en nieuwe Christenen (essay) (Of Old and New Christians)
  • 1937 - Het Christendom. Twee getuigenissen in polemische vorm (essays) (Christianity, two testimonies in polemical form) (with Anton van Duinkerken as co-author)
  • 1937 - Het nationaal-socialisme als rancuneleer (essay) (National-Socialism as a Doctrine of Resentment)
  • 1938 - In gesprek met de vorigen (essay) (Talking with the Predecessors)
  • 1938 - Mephistophelisch (essay) (Mephistophelian)
  • 1938 - De Augustijner monnik en zijn trouwe duivel (essay) (The Augustinian Monk and his loyal Devil)
  • 1939 - De nieuwe elite (essay) (The New Elite)
  • 1943 - De duivelskunstenaar. Een studie over S. Vestdijk (essay) (The Devil's artist, a study on S. Vestdijk)
  • 1944 - Reinaert op reis (essays) (Reinaert on the Move)
  • 1945 - Over waardigheid en macht. Politiek-cultureele kroniek (essay) (On Truth and Dignity, a political-cultural Chronicle)
  • 1945 - Journaal 1939 (diary) (Journal 1939)
  • 1946 - In gesprek met de onzen (essay) (Talking to one's Own)
  • 1949 - Briefwisseling Ter Braak - Du Perron. Een bloemlezing (Selected Correspondence between Ter Braak and Du Perron)
  • 1949-1951 - Verzameld werk (seven volumes) (Collected Works)
  • 1962-1967 - Briefwisseling 1930-1940 (correspondence) (Correspondence between Menno ter Braak and Edgar du Perron, four volumes)
  • 1965 - Het verraad der vlaggen (essays) (The Treason of the Flags)
  • 1978 - De Propria Curesartikelen. 1923-1925 (The articles from Propria Cures)
  • 1980 - De artikelen over emigrantenliteratuur. 1933-1940 (Articles on Migrant Literature)
  • 1992 - De draagbare Ter Braak (The Portable ter Braak)

See also




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