Medical photography  

From The Art and Popular Culture Encyclopedia

Jump to: navigation, search
Planche XXIII of Attitudes passionnelles, a series of ten photographs first published in the book Iconographie photographique de la Salpêtrière (1875 - 1879). The photo depicts Salpêtrière star patient Louise Augustine.
Planche XXIII of Attitudes passionnelles, a series of ten photographs first published in the book Iconographie photographique de la Salpêtrière (1875 - 1879). The photo depicts Salpêtrière star patient Louise Augustine.
Old Toothless Man The image depicts the mechanics of facial expression while Duchenne and an assistant faradize the mimetic muscles of "The Old Man"
Old Toothless Man
The image depicts the mechanics of facial expression while Duchenne and an assistant faradize the mimetic muscles of "The Old Man"

Related e



Kunstformen der Natur (1904) by Ernst Haeckel
Kunstformen der Natur (1904) by Ernst Haeckel

Medical photography is a specialized area of photography that concerns itself with the documentation of the clinical presentation of patients, medical and surgical procedures, medical devices and specimens from autopsy.


The sciences were quick to realize the merits of photography because of its perceived ability to present an objective image of what was seen. This solved a problem of representation by artists who were asked to produce illustrations only from description or highly influenced by the interpretation of physicians and surgeons. The first application of photography in medicine appears in 1840 when Alfred François Donné of the Charité Hospital in Paris photographed sections of bones and teeth. He began making daguerreotypes through a microscope. Donné published engravings made from photographs by his student Léon Foucault. Hugh Welch Diamond, a physician and founding member of the Royal Photographic Society, used photography as a tool in medicine, particularly in the field of mental illness. He was working in the women’s section of the Surrey County Asylum in Twickenham in 1852, where he attempted to create a catalog of visual signs of insanity by photographing the patients and organizing the photographs by symptom.

Guillaume-Benjamin Duchenne de Boulogne began photographing inmates in the Salpêtrière mental hospital in Paris in 1856. He devised a method for activating individual muscles of the face through electronic stimulation. With the assistance of Adrien Tournachon, brother of Felix Nadar, he photographed facial expressions and at one point listed 53 emotions that could be identified based on the muscular action. His work was published in 1862 in Mécanisme de la physionomie humaine in what was the most remarkable of all photographically illustrated books in medical science prior to 1900.

Dr. Jean-Martin Charcot, a student of Duchenne de Boulogne, believed like Diamond that photographs would play a significant role in the diagnosis and management of patients. A medical photography unit was established at Salpêtrière hospital in Paris in 1878 by Charcot. He hired Albert Londe who worked at Salpêtrière under Charcot's supervision. Londe was to not only make photographs but to create new apparatus to record signs and symptoms. Charcot began publishing Nouvelle iconographie de la Salpêtriere in 1888 that used photographs to show clinical presentations of cases at Salpêtrière. Londe published a major reference on the practice of medical photography La Photographie médicale. in 1893. Londe developed a systematic method for photographing patients in fixed views that took into account depth of field and distortion caused by lens design and lens to subject distance.

There was growing interest in cultures and peoples in distant regions of the globe and photography was a way to place them under study especially when combined with influences from the study of phrenology and Darwin’s work on natural selection. In 1850, J.T. Zealy was commissioned to make daguerreotypes of plantation workers of African origin in the southern United States of America. The pictures were intended as scientific documentation to support theories of ethnology. Carl Damman published a collection of photographs of different ethnic groups in Anthropologisch-ethnographisches Album in Photographien and in the same year William Marshall published A phrenologist amongst the Todas, or the Study of a Primitive Tribe in South India. History, Character, Customs, Religion, Infanticide, Polyandry, Language. Thomas Huxley established a system of photographing the human body with fixed views which included a rod of known dimension to make measurements. Francis Galton believed it was possible to systematically organize traits of inheritable attributes, intellectual, moral and physical with respect to families, groups, classes and racial types. He believed that mental attributes could be measured by studying physical attributes. In an effort to identify and group characteristics, he made composites of up to two hundred photographs to create a universal physiognomy example of a group or type.

Dr. Reed. B. Bontecou, a physician and soldier from New York, took the camera to the American Civil War (1861–1865) and photographed wounded soldiers as well as documenting treatments, surgeries and working conditions of the physician. Attempts to publish photographs in anatomy text books met with limited success in the early years of photography. The lack of textural and tonal variation made photographs difficult to interpret. This may have been due to the spectral sensitivity of early materials to blue, violet and ultra-violet light. This grouped the other tones together and rendered them as similar shades of black. Orthochromatic plates did not become commercially available until 1883 and even then the process allowed separation only of the blues, greens and yellows. In 1861, Nicolaus Rüdinger published Atlas des peripherischen Nervensystems des menchlichen Körpers, Cotta’schen, using photographs by Joseph Albert of frozen sections. The photographs had to be retouched to make the structures obvious. Sterophotography became of interest as a way to add a three dimensional quality to show the spatial relationships of gross anatomy and clinical case studies. Between 1894-1900, Albert Neisser of Leipzig produced a stereo atlas of anatomy and pathology. David Waterston published a set of stereo cards in 1905 to be used in a stereo-viewer. The cards showed labelled dissections, descriptive labels and came packaged with the stereoscopic viewer.

There were attempts to photograph inside the body as early as 1883. Emil Behnke used a carbon arc lamp, lenses and reflectors to photograph human vocal cords at exposures of ¼ second. Walter Woodbury had published a “photogastroscope” in 1890 that showed pictures of the interior of the stomach and in 1894, Max Nitze published photographs of the bladder using a cystoscope.

By 1870, Maury and Duhring had established a journal based on using medical photography, The Photographic Review of Medicine and Surgery, published by Lippincott in Philadelphia, USA provided case studies and before and after photographs. Most major centres of medical education had adopted photography as a method of documentation and study by the 1900s. Many photographers were working in multi-faceted disciplines from radiology, pathology and ophthalmology. Medical photography became a special field of photography and in 1931 a group of photographers working in medicine came together at Yale University in the United States of America to form the Biological Photographic Association. Other organizations formed in England, Scandinavia and Australia. Photography continues today to play a role in medicine through documentation, research and education.

See also

Unless indicated otherwise, the text in this article is either based on Wikipedia article "Medical photography" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

Personal tools