Masao Horino
From The Art and Popular Culture Encyclopedia
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Masao Horino (1907 - 2000) was one of the most prominent Japanese photographers in the first half of the 20th century in Japan.
He was born in Tokyo and graduated from Tokyo Higher Technical School, now Tokyo Institute of Technology.
He was a member of Shinkō Shashin Kenkyukai (New Photography Research Society}} which was founded by Sen'ichi Kimura in 1930.
In 1932, Horino published a monograph Camera, Eye x Iron, Construction which is one of the most important works for Japanese modern photography (Shinkō Shashin,). This monograph consists of photographs of ships and architectures made of steel, such as bridges, tanks and towers, based on his own sense of beauty, "a beauty of machinery", derived directly from the theories of the art critic (photo critic) Takaho Itagaki, using, for example, close-up and looking-up. Therefore, this work can be regarded as a collaboration between Horino and Itagaki. This work is as important as the monograph Métal by Germaine Krull in terms of the beauty of machinery.
Further, Horino published his work of documentary photography using montage technique in some magazines, such as the Character of Great Tokyo . 1931, editing and design by Takaho Itagaki, Chūōkōron October issue) and Flowing through the City - Sumida River Album (Shutokanryū - Sumida-gawa no Arubamu, 1931, editing and design by Tomoyoshi Murayama, Hanzai Kagaku December issue). No other photographer made such high-level documentary photographs before WWII.
Horino was one very important example of the earliest photographers to have a professional mind, like Yōnosuke Natori, although in Japan before WWII, most photographers were amateurs and took pictures only for their own inside world, not for the outside world.
In Europe and America the effects of the atomic bombs over Hiroshima and Nagasaki were not fully understood. The photos produced by Masao Horino contributed to the world wide cry for the bombs to never be used again.
