Marriage à-la-mode  

From The Art and Popular Culture Encyclopedia

Jump to: navigation, search
Marriage à-la-mode: 2. The Tête à Tête (1743) by William Hogarth The Tête à Tête is the second canvas in the series of six satirical paintings known as Marriage à-la-mode painted by William Hogarth. The actors in this classical interior are the son of an impoverished earl, a rich merchant’s daughter and their butler.
Enlarge
Marriage à-la-mode: 2. The Tête à Tête (1743) by William Hogarth
The Tête à Tête is the second canvas in the series of six satirical paintings known as Marriage à-la-mode painted by William Hogarth. The actors in this classical interior are the son of an impoverished earl, a rich merchant’s daughter and their butler.

Related e

Wikipedia
Wiktionary
Wiki Commons
Tumblr
Wikisource
YouTube
Shop

Featured:
A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)
Enlarge
A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)

Marriage à-la-mode may refer to:


Unless indicated otherwise, the text in this article is either based on Wikipedia article "Marriage à-la-mode" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

Retrieved from "http://89.200.140.85/Marriage_%C3%A0-la-mode"
Personal tools
Metas