Lyrical Ballads
From The Art and Popular Culture Encyclopedia
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Featured: A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933) |
Wordsworth and Coleridge set out to overturn what they considered the priggish, learned and highly sculpted forms of eighteenth century English poetry and bring poetry within the reach of the average man by writing the verses using normal, everyday language. They place an emphasis on the vitality of the living voice that the poor use to express their reality. Using this language also helps point out the universality of man's emotions. Even the title of the collection recalls rustic forms of art - the word "lyrical" links the poems with the ancient rustic bards and lends an air of spontaneity, while "ballads" are an oral mode of storytelling used by the common people.
In his famous "Preface" (1800, revised 1802) Wordsworth explained his poetical concept:
- "The majority of the following poems are to be considered as experiments. They were written chiefly with a view to ascertain how far the language of conversation in the middle and lower classes of society is adapted to the purpose of poetic pleasure."
If the experiment with vernacular language was not enough of a departure from the norm, the focus on simple, uneducated country people as the subject of poetry was a signal shift to modern literature. One of the main themes of "Lyrical Ballads" is the return to the original state of nature, in which man led a purer and more innocent existence. Wordsworth subscribed to Rousseau's belief that man was essentially good and was corrupted by the influence of society. This may be linked with the sentiments spreading though Europe just prior to the French Revolution.
