Dardenne brothers
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La Cinetek published the Dardenne brothers fave films of all time in 2017.
- “Police,” Maurice Pialat (1984)
- “Under the Sun of Satan,” Maurice Pialat (1987)
- “Graduate First,” Maurice Pialat (1978)
- “Loulou,” Maurice Pialat (1980)
- “A Woman Under the Influence,” John Cassavetes (1974)
- “Opening Night,” John Cassavetes (1977)
- “The Killing of a Chinese Bookie,” John Cassavetes (1976)
- “Mouchette,” Robert Besson (1966)
- “Au hasard Balthazar,” Robert Bresson (1965)
- “A Man Escaped,” Robert Bresson (1956)
- “Paisa,” Roberto Rossellini (1946)
- “L’Amore,” Roberto Rossellini (1947)
- “Germany, Year Zero,” Roberto Rossellini (1947)
- “Europe 51,” Roberto Rossellini (1951)
- “Stromboli,” Roberto Rossellini (1949)
- “The Flowers of St. Francis,” Roberto Rossellini (1950)
- “Voyage in Italty,” Roberto Rossellini (1953)
- “Accattone,” Pier Paolo Pasolini (1961)
- “Ro.Go.Pa.G.,” Jean-Luc Godard, Ugo Gregoretti, Pier Paolo Pasolini, Roberto Rossellini (1963)
- “The Gospel According to St. Matthew,” Pier Paolo Pasolini (1964)
- “Filmmaker’s Holiday,” Johan van der Keuken (1974)
- “The Flat Jungle,” Johan van der Keuken (1978)
- “Street of Shame,” Kenji Mizoguchi (1956)
- “Sansho the Bailiff,” Kenji Mizoguchi (1954)
- “Cruel Story of Youth,” Nagisa Oshima (1960)
- “Boy,” Nagisa Oshima (1969)
- “High and Low,” Akira Kurosawa (1963)
- “Red Beard,” Akira Kurosawa (1965)
- “To Live,” Akira Kurosawa (1952)
- “Hands Over the City,” Francesco Rosi (1963)
- “The Tarnished Angels,” Douglas Sirk (1957)
- “Sobibór, October 14, 1943, 4 p.m.,” Claude Lanzmann (2000)
- “Cleo from 5 to 7,” Agnès Varda (1961)
- “Father and Master,” Paolo et Vittorio Taviani (1976)
- “The Flavor of Green Tea over Rice,” Yasujirō Ozu (1952)
- “There Was a Father,” Yasujirō Ozu (1942)
- “La Strada,” Federico Fellini (1954)
- “Nights of Cabiria,” Federico Fellini (1957)
- “Dekalog,” Krzysztof Kieslowski (1989)
- “Life, and Nothing More….,” Abbas Kiarostami (1991)
- “[[Where Is the Friend’s Home?” Abbas Kiarostami (1987)
- “High Hopes,” Mike Leigh (1988)
- “Riff-Raff,” Ken Loach (1991)
- “Northern Lights,” John Hanson and Rob Nilsson (1978)
- “Naked Hearts,” Édouard Luntz (1966)
- “The Visitors,” Elia Kazan (1971)
- “Wanda,” Barbara Loden (1970)
- “Sunrise,” F.W. Murnau (1927)
- “M,” Fritz Lang (1931)
- “The Kid,” Charlie Chaplin (1919)
- “Modern Times,” Charlie Chaplin (1935)
- “The Life of Oharu,” Kenji Mizoguchi (1952)
- “Herman Slobbe/Blind Child 2,” Johan van der Keuken (1966)
- “The Wild Child,” François Truffaut (1969)
- “The 400 Blows,” François Truffaut (1958)
- “Dear Diary,” Nanni Moretti (1993)
- “Drifting Clouds,” Aki Kaurismäki (1996)
- “Naked Childhood,” Maurice Pialat (1967)
- “Through the Olive Trees,” Abbas Kiarostami (1994)
- “The Band Wagon,” Vincente Minneli (1953)
- “It’s a Wonderful Life,” Frank Capra (1946)
- “Taxi Driver,” Martin Scorsese (1975)
- “Shoah,” Claude Lanzmann (1985)
- “Le Boucher,” Claude Chabrol (1970)
- “Gentleman Jim,” Raoul Walsh (1942)
- “College,” Buster Keaton and James W. Horne (1927)
- “Summer With Monika,” Ingmar Bergman (1952)
- “Bring of Life,” Ingmar Bergman (1957)
- “Interiors,” Woody Allen (1977)
- “Crimes and Misdemeanors,” Woody Allen (1988)
- “Pather Panchali,” Satyajit Ray (1955)
- “My Childhood,” Bill Douglas (1972)
- “Ce gamin, là,” Renaud Victor (1975)
- “Shadow of a Doubt,” Alfred Hitchcock (1942)
- “Kes,” Ken Loach (1969)
- “Raining Stones,” Ken Loach (1993)
- “Ivan’s Childhood,” Andrei Tarkovsky (1962)
- “Rome Open City,” Roberto Rossellini (1945)
- “The Man From Laramie,” Anthony Mann (1954)
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