From The Art and Popular Culture Encyclopedia
- "I think that, as an exercise in Surrealism, Lord Horror compares with some of the best work that came out of France and Germany between the wars, for example Georges Bataille. The book has some brilliantly funny passages, particularly about Old Shatterhand. Britton is undoubtedly brilliant, but when I came to the bit about Horror hollowing out a Jewess's foot and putting it over his penis, I started skipping. With the best will in the world, I couldn't give his brilliant passages the attention they deserve because I kept being put off by this note of violence and sadism. No doubt it is because I belong to an older generation that is still basically a bit Victorian." --Colin Wilson
David Britton has said  of it that it, "was so unique and radical, I expected to go to prison for it. I always thought that if you wrote a truly dangerous book -- something dangerous would happen to you. Which is one reason there are so few really dangerous books around. Publishers play at promoting dangerous books, whether they're Serpent's Tail or Penguin. All you get is a book vetted by committee, never anything radically imaginative or offensive that will take your fucking head off. Ironically, I think it would do other authors a power of good if they had to account for their books by going to prison -- there are far too many bad books being published!"
From the "Lord Horror" map
The Wind in the Willows, Crash, Ubu Roi, The Satanic Verses, Mumbo Jumbo, Conan, Naked Lunch, Ulysses, Les Chants de Maldoror, The Cantos, Stormbringer, Mein Kampf, The Night Land, The Waste Land, A Rebours, Journey to the End of the Night, L'Etranger, A Voyage to Arcturus, Heart of Darkness, The Picture of Dorian Gray, A Clockwork Orange, Cities of the Red Night, Last Exit to Brooklyn and Ancient Evenings.