From The Art and Popular Culture Encyclopedia
The following is a list of examples of typical Baroque architecture.
Building | Location | Date | Architect(s)
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St Peter's Basilica | Vatican City | 1506–1615 | Michelangelo, Giacomo della Porta, Carlo Maderno
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Château de Versailles | Versailles, France | 1661–1774 | Jules Hardouin Mansart, Louis Le Vau, André Le Nôtre (gardens) and many co-operators
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San Carlo alle Quattro Fontane | Rome, Italy | 1665–1676 | Francesco Borromini
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San LorenzoTemplate:Dn | Turin, Italy | 1666–1679 | Guarino Guarini
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St Paul's Cathedral | London, England | 1675–1710 | Christopher Wren
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Wilanów Palace | Warsaw, Poland | 1677–1729 | Augustyn Wincenty Locci, Giovanni Spazzio
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Les Invalides | Paris, France | 1679–1708 | Jules Hardouin Mansart
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Stift Melk | Melk, Austria | 1702–1736 | Jakob Prandtauer
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Blenheim Palace | Woodstock, England | 1705–1722 | Sir John Vanbrugh
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Zwinger Palace | Dresden, Germany | 1709–c. 1732 | Matthäus Daniel Pöppelmann
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Pommersfelden castle | Pommersfelden, Germany | 1711–1719 | Johann Dientzenhofer and Johann Lucas von Hildebrandt
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Karlskirche | Vienna, Austria | 1715–1737 | Johann Fischer von Erlach
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Mafra Palace | Mafra, Portugal | 1717–1730 | João Frederico Ludovice
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Holy Trinity Column | Olomouc, Czech Republic | 1716–1754 | Wenzel Render
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Palace of La Granja | Segovia, Spain | 1720–1740 | Teodoro Ardemans and Filippo Juvarra
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Würzburg Residence | Würzburg, Germany | 1720–1740 | Balthasar Neumann
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Peterhof Palace | St Petersburg, Russia | 1721–1755 | Bartolomeo Rastrelli
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Frauenkirche | Dresden, Germany | 1726–1738 | George Bähr
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Trevi Fountain | Rome, Italy | 1732–1762 | Nicola Salvi
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The High Street screen of Queen's College | Oxford, England | 1733–1736 | Nicholas Hawksmoor
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Royal Palace of Madrid | Madrid, Spain | 1738–1755 | Filippo Juvarra, Juan Bautista Sacchetti and Ventura Rodríguez.
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St. Michael's Golden-Domed Monastery | Kiev, Ukraine | ca. 1746 | Ivan Hryhorovych-Barskyi and others
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Red Gate | Moscow, Russia | 1753–1757 | Dmitry Ukhtomsky
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N/A | Valletta, Malta | 1566–1798 | Francesco Laparelli, Gerolamo Cassar
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