Lifeworld  

From The Art and Popular Culture Encyclopedia

Jump to: navigation, search

Related e

Wikipedia
Wiktionary
Shop


Featured:

Lifeworld (German: Lebenswelt) may be conceived as a universe of what is self-evident or given (see intersubjectivity. For Husserl, the lifeworld is the fundament for all epistemological enquiries. The concept has its origin in biology and cultural protestantism.

Contents

Overview

The lifeworld concept is used in philosophy and in some social sciences, particularly sociology. The concept emphasizes a state of affairs in which the world is experienced, the world is lived (German: erlebt). The lifeworld is a pre-epistemological stepping stone for phenomenological analysis in the Husserlian tradition.

The phenomenological concept of lifeworld

Edmund Husserl introduced the concept of the lifeworld in his Crisis of European Sciences (1936). Influences on Husserl's formulation of the lifeworld include Wilhelm Dilthey's "life-nexus" (German: Lebenszusammenhang) and Martin Heidegger's Being-in-the-world (German: In-der-Welt-Sein). The concept was further developed by students of Husserl such as Maurice Merleau-Ponty, Jan Patočka, and Alfred Schütz. The lifeworld can be thought of as the horizon of all our experiences, in the sense that it is that background on which all things appear as themselves and meaningful. The lifeworld cannot, however, be understood in a purely static manner; it isn't an unchangeable background, but rather a dynamic horizon in which we live, and which "lives with us" in the sense that nothing can appear in our lifeworld except as lived.

The concept represented a turning point in Husserl's phenomenology from the tradition of Descartes and Kant. Up until then, Husserl had been focused on finding, elucidating, and explaining an absolute foundation of philosophy in consciousness, without any presuppositions except what can be found through the reflective analysis of consciousness and what is immediately present to it. Originally, all judgements of the real were to be "bracketed" or suspended, and then analyzed to bring to light the role of consciousness in constituting or constructing them. With the concept of the lifeworld, however, Husserl embarked on a different path, which recognizes that, even at its deepest level, consciousness is already embedded in and operating in a world of meanings and pre-judgements that are socially, culturally, and historically constituted. Phenomenology thereby became the study not just of the pure consciousness and meanings of a transcendental ego, as in Husserl's earlier work, but of consciousness and meaning in context. The lifeworld is one of the more complicated concepts in phenomenology, mainly because of its status as both personal and intersubjective.

Even if a person's historicity is intimately tied up with his lifeworld, and each person thus has a lifeworld, this doesn't necessarily mean that the lifeworld is a purely individual phenomenon. In keeping with the phenomenological notion of intersubjectivity, the lifeworld can be intersubjective even though each individual necessarily carries his own "personal" lifeworld ("homeworld"); meaning is intersubjectively accessible, and can be communicated (shared by one's "homecomrades"). However, a homeworld is also always limited by an alienworld. The internal "meanings" of this alienworld can be communicated, but can never be apprehended as alien; the alien can only be appropriated or assimilated into the lifeworld, and only understood on the background of the lifeworld.

The sociological concept of lifeworld

The Husserlian elucidation of lifeworld provided a jumping point for the phenomenological sociology of Schütz, who tried to combine Husserl's phenomenology of consciousness, meaning, and the lifeworld with Max Weber's sociology and its focus on subjectively meaningful action. Jürgen Habermas has further developed the concept of the lifeworld in his social theory. For Habermas, the lifeworld is more or less the "background" environment of competences, practices, and attitudes representable in terms of one's cognitive horizon. Compared to Husserl with his focus on consciousness, however, Habermas, whose social theory is grounded in communication, focuses on the lifeworld as consisting of socially and culturally sedimented linguistic meanings. It is the lived realm of informal, culturally-grounded understandings and mutual accommodations. Rationalization and colonization of the lifeworld by the instrumental rationality of bureaucracies and market-forces is a primary concern of Habermas's two-volume Theory of Communicative Action.

Social coordination and systemic regulation occur by means of shared practices, beliefs, values, and structures of communicative interaction, which may be institutionally based. We are inevitably lifeworldly, such that individuals and interactions draw from custom and cultural traditions to construct identities, define situations, coordinate action, and create social solidarity. Ideally this occurs by communicatively coming to understanding (German: Verstehen), but it also occurs through pragmatic negotiations (Compare: Seidman, 1997:197).

The lifeworld is related to further concepts such as Pierre Bourdieu's notion of habitus and to the sociological notion of everyday life.

References

Eden, T. (2004). Lebenswelt. in Ebner, K., & Kadi, U. (2004). Wörterbuch der phänomenologischen Begriffe. Hamburg: Meiner.

Treitel, C. (2000). The culture of knowledge in the metropolis of science, spiritualism and liberalism in fin-de-siècle Berlin. in Goschler, C. (ed.). Wissenschaft und Öffentlichkeit in Berlin, 1870-1930 (pp. 127-155). Stuttgart: Franz Steiner.

Steinbock, A. J. (1995). Home and Beyond, Generative Phenomenology After Husserl. Northwestern University Studies in Phenomenology and Existential Philosophy.



Unless indicated otherwise, the text in this article is either based on Wikipedia article "Lifeworld" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

Personal tools