Lesbian vampire  

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A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)
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A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)
female vampire

Lesbian vampirism is a trope in 20th century exploitation film that has its roots in Joseph Sheridan le Fanu's novella Carmilla (1872) about the predatory love of a vampire (the title character) for a young woman (the narrator), and also takes its inspiration from the legend of sixteenth-century Hungarian Countess Erzsébet Báthory.

In essence, lesbian vampirism in 20th century film was a way to hint at the taboo idea of lesbianism in a fantasy context outside the heavily censored realm of social realism (Andrea Weiss (1993) Vampires & Violets: Lesbians in Film). Also, the conventions of the vampire genre--specifically, the mind control exhibited in many such films--allow for a kind of forced seduction of presumably straight women or girls by lesbian vampires.

Notable film titles include Roger Vadim's Blood and Roses (1960),The Vampire Lovers (1970), Jess Franco's Vampyros Lesbos (1971), Vampyres (1974) and The Hunger (1983). The vampire films of Jean Rollin usually contain some kind of lesbian element or hint. Erzsébet Báthory appears in Daughters of Darkness and The Blood Countess.

In lesbian literature of the 1990s, Pam Keesey edited two anthologies of lesbian vampire stories, Daughters of Darkness (1993) and Dark Angels (1995).

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Unless indicated otherwise, the text in this article is either based on Wikipedia article "Lesbian vampire" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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