The Maids
From The Art and Popular Culture Encyclopedia
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| "Je hais les domestiques. J'en hais l'espèce odieuse et vile. Les domestiques n'appartiennent pas à l'humanité. Ils coulent. Ils sont une exhalaison qui traîne dans nos chambres, dans nos corridors, qui nous pénètre, nous entre par la bouche, qui nous corrompt. Moi, je vous vomis." | "Je hais les domestiques. J'en hais l'espèce odieuse et vile. Les domestiques n'appartiennent pas à l'humanité. Ils coulent. Ils sont une exhalaison qui traîne dans nos chambres, dans nos corridors, qui nous pénètre, nous entre par la bouche, qui nous corrompt. Moi, je vous vomis." | ||
| - | I hate servants. I hate their odious and vile species. Servants do not belong to the human species. They flow. They are bad breath trailing in our rooms, in our corridors, which penetrates us, enters into our mouths, corrupts us. I spew you out. | + | "I loathe servants. A vile and odious breed, I loathe them. They're not of the human race. Servants ooze. They're a foul effluvium drifting through our rooms and hallways, seeping into us, entering our mouths, corrupting us. I vomit you!" |
| --''[[The Maids]]'' (1947) by Jean Genet | --''[[The Maids]]'' (1947) by Jean Genet | ||
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| == Happiness in crime == | == Happiness in crime == | ||
| Genet's fascination with the crime stemmed from his contempt for the [[middle class]]es, along with his understanding of how a murderer could [[glory]] in the [[infamy]] that came from the crime, cfr [[happiness in crime]]. | Genet's fascination with the crime stemmed from his contempt for the [[middle class]]es, along with his understanding of how a murderer could [[glory]] in the [[infamy]] that came from the crime, cfr [[happiness in crime]]. | ||
| - | {{GFDL}} | + | ==See also== |
| + | *[[Petra von Kant]]{{GFDL}} | ||
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"Je hais les domestiques. J'en hais l'espèce odieuse et vile. Les domestiques n'appartiennent pas à l'humanité. Ils coulent. Ils sont une exhalaison qui traîne dans nos chambres, dans nos corridors, qui nous pénètre, nous entre par la bouche, qui nous corrompt. Moi, je vous vomis." "I loathe servants. A vile and odious breed, I loathe them. They're not of the human race. Servants ooze. They're a foul effluvium drifting through our rooms and hallways, seeping into us, entering our mouths, corrupting us. I vomit you!" --The Maids (1947) by Jean Genet |
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The Maids (1947) is a play by the French writer Jean Genet.
Genet based his play on the infamous Papin sisters, Lea and Christine, who brutally murdered their employer and her daughter in Le Mans, France, in 1933. The story can be read as an absurdist exposition on the intricate power dynamic that exists between unequals. Solange and Claire are two housemaids who construct elaborate sadomasochistic rituals when their mistress (Madame) is away.
The focus of their Theatre is the murder of Madame and they take turns portraying either side of the power divide. The deliberate pace and devotion to detail guarantees that they always fail to actualize their fantasies by ceremoniously "killing" Madame at the ritual's denouement.
Before it was filmed for the American Film Theatre, it ran at the Greenwich Theatre, London, with the same principal cast later used for the film version.
In 1974 the play was made into a eponymous film directed by Christopher Miles, and starring Glenda Jackson as Solange, Susannah York as Claire, Vivien Merchant as Madame, and Mark Burns as Monsieur. The cinematographer Douglas Slocombe deliberately implemented many of Genet's theatrical devices for the film. The camera was often static, the settings lush and extravagant.
The story was filmed again in 1995 as Sister My Sister, starring British actresses Joely Richardson, Jodhi May and Julie Walters. The film was directed by Nancy Meckler and written by Wendy Kesselman.
The case was also the subject of Murderous Maids, a French film starring Sylvie Testud and Julie-Marie Parmentier and directed by Jean-Pierre Denis.
Truthfulness
The play "Les Bonnes", by French writer Jean Genet, is based on the murders. Although several details have been changed, the play does highlight the dissatisfaction of the maids in their jobs, which manifests itself in a hatred for their mistress.
Happiness in crime
Genet's fascination with the crime stemmed from his contempt for the middle classes, along with his understanding of how a murderer could glory in the infamy that came from the crime, cfr happiness in crime.
See also
