Public radio and experimental music
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| - | "In 1953, Stockhausen composed his ''[[Studie I]]'', followed in 1954 by ''[[Studie II|Elektronische Studie II]]''—the first electronic piece to be published as a score. In 1955, more experimental and electronic studios began to appear. Notable were the creation of the [[Studio di fonologia musicale di Radio Milano]], a studio at the [[NHK]] in Tokyo founded by [[Toshiro Mayuzumi]], and the Philips studio at [[Eindhoven]], the Netherlands, which moved to the [[University of Utrecht]] as the [[Institute of Sonology]] in 1960."--Sholme Stein | ||
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| {{Template}} | {{Template}} | ||
| - | Late [[2008]], [[Simon Reynolds]] published the [[director's cut]] of an article[http://reynoldsretro.blogspot.com/2008/10/towards-tomorrow-bbc-radiophonic.html] he wrote at the occasion of the 50th anniversary of the [[BBC Radiophonic Workshop]], which was founded in [[1958]] on an unknown date. Similar radio services were started at the various [[public radio]]s in Europe, all of influence to the emerging fields of [[electronic music]] and [[acousmatic music]]. [[Paris]] had the [[Groupe de Recherches Musicales]] which developed [[musique concrète]], [[Cologne]] had [[Studio für elektronische Musik]] which nurtured the talent of [[Stockhausen]], [[Italy]] had [[Studio di Fonologia Musicale]] with [[Bruno Maderna]]. | + | '''Toshiro Mayuzumi''' (1929 – 1997) was a [[Japanese composer]] known for his implementation of [[Avant-garde music|avant-garde]] instrumentation alongside traditional Japanese musical techniques. His works drew inspiration from a variety of sources ranging from [[jazz]] to [[Music of Bali|Balinese music]], and he was considered a pioneer in the realm of [[musique concrète]] and [[electronic music]]. |
| - | I'm probably generalizing, mixing studios with projects and radio with art projects. However, all of these projects share common characteristics: they are [[state funded]] (this is post-war, [[Marshall plan]] funded Europe), they involve [[electronic music]] and are centered around [[tape editing]] and thus the development of [[non-linearity]] in music recording. | + | ==Works== |
| - | So far the history of the [[BBC Radiophonic Workshop]], which was probably the biggest, as well as the other scenes mentioned above have been best documented. However, such studios and projects must have existed all over Europe. It would be interesting to get your feedback of the scene of your country. Scandinavia, Spain, Austria, the Balkan, everywhere, let's hear it from you. I'm especially looking for [[crosspollination]]s such as [[BBC Radiophonic Workshop]]/''[[Doctor Who]]'' and [[Studio di Fonologia Musicale]]/''[[Death Laid an Egg]]''. | + | ===Operas=== |
| + | *''Kinkakuji'' (''Der Tempelbrand''; ''The Golden Pavilion'') (1976, Berlin) | ||
| + | *''Kojiki'' (''Days of the Gods'') (1996, Linz) | ||
| - | == Notes == | + | ===Ballet=== |
| + | *''[[Bugaku (ballet)|Bugaku]]'' (1962) | ||
| + | *''Olympics'' (1965) | ||
| + | *''The Kabuki'' (1986) | ||
| + | *''M'' (1996) | ||
| + | |||
| + | ===Orchestral works=== | ||
| + | * ''Rumba Rhapsody'' (1948) | ||
| + | * ''Symphonic Mood'' (1950) | ||
| + | * ''Bacchanale'' (1954) | ||
| + | * ''Ektoplasm'' (1954) | ||
| + | * ''Tonepleromas 55'' (1955) | ||
| + | * ''phonology Symphonique'' (1957) | ||
| + | * ''Nirvana Symphony'' for male chorus and orchestra (1958) | ||
| + | * ''Mandala Symphony'' (1960) | ||
| + | * ''Echigojishi'' (1960) | ||
| + | * ''Music with Sculpture'' (1961) | ||
| + | * ''Textures'' for wind orchestra (1962) | ||
| + | * ''Samsara'' (1962) | ||
| + | * ''Essay in Sonorities (Mozartiana)'' (1963) | ||
| + | * ''Essay'' for string orchestra (1963) | ||
| + | * ''Fireworks'' (1963) | ||
| + | * ''Ongaku no tanjō'' [Birth of Music] (1964) | ||
| + | * Concerto for percussion and wind orchestra (1965) | ||
| + | * Concertino for xylophone and orchestra (1965) | ||
| + | * ''Shu'' [Incantation] (1967) | ||
| + | * ''Tateyama'' (1974) | ||
| + | * ''ARIA in G for Solo Violin and Orchestra'' (1978) | ||
| + | * ''Capriccio for Solo Violin and String Orchestra'' (1988) | ||
| + | * ''Mukyūdō'' [Perpetual Motion] (1989) | ||
| + | |||
| + | ===Ensemble/Instrumental works=== | ||
| + | * ''Sonata, for violin and piano'' (1946) | ||
| + | * Twelve Preludes, for piano (1946) | ||
| + | * ''Hors d'œuvre'', for piano (1947) | ||
| + | * Divertimento, for 10 instruments (1948) | ||
| + | * String Quartet (1952) | ||
| + | * Sextet, for flute, clarinet, bass clarinet, horn, trumpet, and piano (1955) | ||
| + | * ''Pieces'', for prepared piano and string quartet (1957) | ||
| + | * ''Mikrokosmos'', for clavioline, guitar, musical saw, vibraphone, xylophone, percussion, and piano (1957) | ||
| + | * ''Bunraku'', for violoncello solo (1960) | ||
| + | * Prelude, for string quartet](1961) | ||
| + | * ''Metamusic'', for saxophone, violin, and piano (1961) | ||
| + | * ''Shōwa Ten-pyō Raku'', for gagaku ensemble (1970) | ||
| + | * ''Rokudan'', for harp (1989) | ||
| + | |||
| + | ===Electronic music=== | ||
| + | *''X, Y, Z for musique concrète'' (1953) | ||
| + | *''Boxing for Radio Drama'' (1954) | ||
| + | *''Music for Sine Wave by Proportion of Prime Number'' (1955) | ||
| + | *''Music for Modulated Wave by Proportion of Prime Number'' (1955) | ||
| + | *''Invention for Square Wave and Saw-tooth Wave'' (1955) | ||
| + | *''Variations on Numerical Principle of 7'' (1956; with [[Makoto Moroi]]) | ||
| + | *''Aoi no ue'' (1957) | ||
| + | *''Campanology'' for multi-piano (1959) | ||
| + | *''Olympic Campanology'' (1964) | ||
| + | *''Mandala'' for solo voice and electronic sounds (1969) | ||
| + | |||
| + | ===Film scores=== | ||
| + | * ''[[Home Sweet Home (1951 film)|Home Sweet Home]]'' (1951) | ||
| + | * ''[[The Woman in the Rumor]]'' (噂の女 Uwasa no onna) (1954) | ||
| + | * ''[[Street of Shame]]'' (1956) | ||
| + | * ''[[The Balloon (1956 film)|The Balloon]]'' (1956) | ||
| + | * ''The Unbalanced Wheel'' (気違い部落 Kichigai buraku) (1957) | ||
| + | * ''[[Enjō]]'' (1958) | ||
| + | * ''[[Stolen Desire]]'' (1958) | ||
| + | * ''[[When a Woman Ascends the Stairs]]'' (1960) | ||
| + | * ''[[The Warped Ones]]'' (1960) | ||
| + | * ''[[Black Sun (1964 film)|Black Sun]]'' (1964) | ||
| + | * ''[[Tokyo Olympiad]]'' (1965) | ||
| + | * ''[[The Pornographers]]'' (1966) | ||
| + | * ''[[The Bible: In the Beginning...]]'' (1966) | ||
| + | * ''[[Reflections in a Golden Eye (film)|Reflections in a Golden Eye]]'' (1967) | ||
| + | * ''[[Thirst for Love (film)|Thirst for Love]]'' (1967) | ||
| + | * ''[[Profound Desires of the Gods]]'' (1968) | ||
| + | * ''Jo no Mai'' (1984) | ||
| - | In The Netherlands, there was [[Dick Raaijmakers]] and [[Tom Dissevelt]]. | ||
| ==See also== | ==See also== | ||
| - | *[[European music]] | + | *[[List of members of Nippon Kaigi]] |
| - | *[[Public radio]] | + | *[[Masao Ohba]] |
| - | *[[Experimental music]] | + | |
| {{GFDL}} | {{GFDL}} | ||
Revision as of 15:49, 13 May 2024
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Related e |
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Featured: |
Toshiro Mayuzumi (1929 – 1997) was a Japanese composer known for his implementation of avant-garde instrumentation alongside traditional Japanese musical techniques. His works drew inspiration from a variety of sources ranging from jazz to Balinese music, and he was considered a pioneer in the realm of musique concrète and electronic music.
Contents |
Works
Operas
- Kinkakuji (Der Tempelbrand; The Golden Pavilion) (1976, Berlin)
- Kojiki (Days of the Gods) (1996, Linz)
Ballet
- Bugaku (1962)
- Olympics (1965)
- The Kabuki (1986)
- M (1996)
Orchestral works
- Rumba Rhapsody (1948)
- Symphonic Mood (1950)
- Bacchanale (1954)
- Ektoplasm (1954)
- Tonepleromas 55 (1955)
- phonology Symphonique (1957)
- Nirvana Symphony for male chorus and orchestra (1958)
- Mandala Symphony (1960)
- Echigojishi (1960)
- Music with Sculpture (1961)
- Textures for wind orchestra (1962)
- Samsara (1962)
- Essay in Sonorities (Mozartiana) (1963)
- Essay for string orchestra (1963)
- Fireworks (1963)
- Ongaku no tanjō [Birth of Music] (1964)
- Concerto for percussion and wind orchestra (1965)
- Concertino for xylophone and orchestra (1965)
- Shu [Incantation] (1967)
- Tateyama (1974)
- ARIA in G for Solo Violin and Orchestra (1978)
- Capriccio for Solo Violin and String Orchestra (1988)
- Mukyūdō [Perpetual Motion] (1989)
Ensemble/Instrumental works
- Sonata, for violin and piano (1946)
- Twelve Preludes, for piano (1946)
- Hors d'œuvre, for piano (1947)
- Divertimento, for 10 instruments (1948)
- String Quartet (1952)
- Sextet, for flute, clarinet, bass clarinet, horn, trumpet, and piano (1955)
- Pieces, for prepared piano and string quartet (1957)
- Mikrokosmos, for clavioline, guitar, musical saw, vibraphone, xylophone, percussion, and piano (1957)
- Bunraku, for violoncello solo (1960)
- Prelude, for string quartet](1961)
- Metamusic, for saxophone, violin, and piano (1961)
- Shōwa Ten-pyō Raku, for gagaku ensemble (1970)
- Rokudan, for harp (1989)
Electronic music
- X, Y, Z for musique concrète (1953)
- Boxing for Radio Drama (1954)
- Music for Sine Wave by Proportion of Prime Number (1955)
- Music for Modulated Wave by Proportion of Prime Number (1955)
- Invention for Square Wave and Saw-tooth Wave (1955)
- Variations on Numerical Principle of 7 (1956; with Makoto Moroi)
- Aoi no ue (1957)
- Campanology for multi-piano (1959)
- Olympic Campanology (1964)
- Mandala for solo voice and electronic sounds (1969)
Film scores
- Home Sweet Home (1951)
- The Woman in the Rumor (噂の女 Uwasa no onna) (1954)
- Street of Shame (1956)
- The Balloon (1956)
- The Unbalanced Wheel (気違い部落 Kichigai buraku) (1957)
- Enjō (1958)
- Stolen Desire (1958)
- When a Woman Ascends the Stairs (1960)
- The Warped Ones (1960)
- Black Sun (1964)
- Tokyo Olympiad (1965)
- The Pornographers (1966)
- The Bible: In the Beginning... (1966)
- Reflections in a Golden Eye (1967)
- Thirst for Love (1967)
- Profound Desires of the Gods (1968)
- Jo no Mai (1984)
See also
Unless indicated otherwise, the text in this article is either based on Wikipedia article "Public radio and experimental music" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.
