Kaja Silverman  

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"Kaja Silverman argues for masochism against Mulvey's sadism in cinema's erotic viewing, and draws attention to the strong possibility of the secret identification of males in the diegesis (and audience) with the suffering female object." --Kenneth MacKinnon, 2001

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Kaja Silverman is an American film theorist and art historian.

Her writing and teaching are focused at the moment primarily on phenomenology, psychoanalysis. photography, and time-based visual art, but she continues to write about and teach courses on cinema, and she has a developing interest in painting. She is currently writing a book about photography, called The Miracle of Analogy, and her long-in-the-making book, Flesh of My Flesh, will be published by Stanford University Press in fall 2009.

Silverman is the author of numerous articles, and the following eight books:

  • The Subject of Semiotics (Oxford University Press, 1983)
  • The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema (Indiana University Press, 1988)
  • Male Subjectivity at the Margins (Routledge Press, 1992)
  • The Threshold of the Visible World (Routledge Press, 1996)
  • Speaking About Godard (New York University Press, 1998; with Harun Farocki)
  • World Spectators (Stanford University Press, 2000)
  • James Coleman (Munich: Hatje Cantz, 2002; ed. Susanne Gaensheimer)
  • Flesh of My Flesh (Forthcoming, 2009)




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Kaja Silverman" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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