Jupiter and Io  

From The Art and Popular Culture Encyclopedia

Jump to: navigation, search
Jupiter and Io (c. 1530) by Correggio
Enlarge
Jupiter and Io (c. 1530) by Correggio

Related e

Wikipedia
Wiktionary
Tumblr
Wikisource
YouTube
Shop


Featured:
A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)
Enlarge
A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)

Jupiter and Io (c. 1530) is a painting by the Italian late Renaissance artist Correggio. It is housed in the Kunsthistorisches Museum of Vienna, Austria.

The painting was created as a companion piece to the Ganymede Abducted by the Eagle, also in the Kunsthistorisches Museum. The two pictures, along with another pair, were probably intended to decorate the Ovid Room in the Palazzo Te for Federico II Gonzaga of Mantua; however, they were gifted to Emperor Charles V, and subsequently the cycle was dispersed outside Italy.

The scene of Jupiter and Io is inspired by Ovid's classic Metamorphoses. Io, is seduced by Jupiter, who hides behind the clouds to avoid hurting the jealous Juno.

The painting depicts Io from the back. Zeus, camouflaged within a blackish cloud of constantly changing forms and in which his face and hand can be seen, undergoes new metamorphoses to conceal their loving from indiscreet gazes, covering them "with mist to show that divine things are concealed in the human face," as Ovid puts it in his story. The phallic symbolism is most visible in the arm of Zeus, which protrudes in a cucumber-like shape from under the armpit of Io in an embrace of her waist. There’s something very provocative about the way the picture is put together, the sensuality of the cloud that billows around Io, like a caress that you yourself feel part of.

Noteworthy is the contrast between the evanescent figure of the immaterial Jupiter, and the sensual substance of Io's body, shown lost in an erotic rapture which anticipates the works of Bernini and Rubens.



Unless indicated otherwise, the text in this article is either based on Wikipedia article "Jupiter and Io" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

Personal tools