John S. Moore  

From The Art and Popular Culture Encyclopedia

Jump to: navigation, search

Related e

Wikipedia
Wiktionary
Wiki Commons
Tumblr
Wikisource
YouTube
Shop


Featured:
A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)
Enlarge
A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)
There is a suggestion by Mario Praz in The Romantic Agony that what Blake, De Sade, Nietzsche, Swinburne, Dostoyevsky, Gide, essentially have in common is that they were all sadists, sadism being at best a mere psychological quirk of certain personalities. But then it could well be that the kind of temperament here labelled 'sadistic' is the best equipped for the kind of insight that is at issue. --Introduction to Nietzsche, John S. Moore, 1974, "unpublished" [1]




Unless indicated otherwise, the text in this article is either based on Wikipedia article "John S. Moore" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

Personal tools