Joan DeJean
From The Art and Popular Culture Encyclopedia
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- "The trial of the poet Théophile de Viau in 1623 is a milestone both in the reinvention of obscenity and in the history of censorship..." --The Reinvention of Obscenity : Sex, Lies, and Tabloids in Early Modern France (2002) - Joan DeJean ISBN 0226141403
[1] [Apr 2007]
The Reinvention of Obscenity : Sex, Lies, and Tabloids in Early Modern France
From the Inside Flap
- How and when did obscene words come to be considered obscene? How did the modern definition of "four-letter" words become accepted? These are some of the questions explored in The Reinvention of Obscenity. Joan DeJean shows how radically the modern conception of obscenity differs from that operative in antiquity, when obscene literature was produced exclusively for an elite male audience. Obscenity, DeJean argues, was reinvented when writers began to focus on two subjects previously unimagined: female genitalia and compulsory heterosexuality. The story of obscenity's reinvention is also that of the birth of modern censorship, mass-market print culture, and even tabloid journalism. DeJean's principal example is the career of the first truly modern writer, Molière, who cannily exploited the obscene to revolutionize the conditions of authorship.
References
- DeJean, Joan. The Essence of Style: How the French Invented Fashion, Fine Food, Chic Cafés, Style, Sophistication, and Glamour. New York: Free Press, 2005 ISBN 0743264142
