Jean-Christophe Averty
From The Art and Popular Culture Encyclopedia
| Revision as of 09:28, 16 March 2008 Jahsonic (Talk | contribs) ← Previous diff |
Current revision Jahsonic (Talk | contribs) |
||
| Line 1: | Line 1: | ||
| {{Template}} | {{Template}} | ||
| - | '''Jean-Christophe Averty''' est un homme de [[Station de radio|radio]] et de [[télévision]] français, né à [[Paris]] en [[1928]]. | ||
| - | Diplômé de l'[[IDHEC]], il débute à la [[Histoire de la télévision française|télévision]] en [[1952]] (alors la [[ORTF|RTF]]). Depuis, il a signé plus de cinq cents émissions pour la [[télévision]] et la [[Radiodiffusion|radio]], abordant toutes les disciplines (fiction, reportage, [[théâtre]], variétés, [[jazz]]) pour lesquelles il a reçu un grand nombre de prix (dont un ''Emmy Award'' aux [[États-Unis]]). | + | '''Jean-Christophe Averty''' (6 August 1928 in Paris – 4 March 2017) was a [[French film director]], and Satrap of the [['Pataphysics#The Collège de 'Pataphysique|College of 'Pataphysique]]. |
| - | Passionné depuis toujours par [[Alfred Jarry]] et la [['Pataphysique|’Pataphysique]], il devient [[Satrape (Pataphysique)|Satrape]] de son [[Collège de 'Pataphysique|Collège]] en [[1990]]. Il a fait sa réputation sur son caractère trempé, son goût de la provocation et son sens de l'innovation télévisuelle. Sa série ''Les Raisins verts'' (en [[1963]]) fit grand scandale, notamment en raison de la persistance d'Averty à faire passer dans chaque émission un [[poupon]] à la [[moulinette]]. Il a filmé pendant des années le festival « ''[[Jazz à Juan]]'', et animé pendant 28 ans, jusqu'à son ultime éviction [[2006]] son émission de radio ''[[les Cinglés du Music-Hall]]'' (1805 épisodes). | + | Many of his television productions from the 1960s were early examples of French [[video art]]. His studies were used in the following decades by the research groups of the French [[Institut national de l'audiovisuel|National Audiovisual Institute (INA)]]. |
| - | Il a aussi réalisé des shows pour la télévision qui lui ont permis de mettre en images dans son style inimitable les plus grands [[chanteur]]s francophones, en voici quelques uns : [[Yves Montand]], [[Juliette Gréco]], [[Georges Brassens]], [[Dalida]], [[France Gall]], [[Serge Gainsbourg]], [[Gilbert Bécaud]], [[Guy Marchand]], [[Léo Ferré]]. | + | He directed ''[[Soft Self-Portrait of Salvador Dali]]'' (1970). |
| - | Dans ses créations télévisées, il a beaucoup utilisé l'[[incrustation (cinéma)|incrustation]] de personnages filmés sur fond bleu avec un décor dessiné. | + | == Biography == |
| - | Depuis la grille de la rentrée de septembre 2006, Jean-Christophe Averty n'est plus audible sur aucune station de [[Radio France]]. | + | A graduate of the [[Institut des hautes études cinématographiques|IDHEC]] film school, Averty started in television in 1952 at the then [[Office de Radiodiffusion Télévision Française|French Television Office]]. He has since directed over five hundred programs for television and radio, across all disciplines: fiction, documentary, drama, variety, and jazz. His many awards include an [[Emmy]] award in the United States. |
| - | ==Anecdote== | + | Averty was appointed Satrap of the [['Pataphysics#The Collège de 'Pataphysique|College of 'Pataphysique]] in 1990, due to his fascination for [[Alfred Jarry]] and [['Pataphysics|Pataphysique]]. |
| - | Le pianiste [[Martial Solal]] lui a rendu un hommage dans une de ses compositions ''Averty, c'est moi''. | + | |
| + | Averty made his reputation on his strong character, his taste for provocation and his sense for innovative television. His 1963 series ''The Green Grapes'' was infamous for a recurring sequence of a baby being put through a grater. | ||
| - | ==Principales réalisations== | + | A keen connoisseur of jazz, Averty filmed the [[Jazz à Juan]] festival for many years. The pianist [[Martial Solal]] paid him a tribute in one of his compositions: ''Averty, c'est moi'' (Averty that's me). |
| - | * ''[[Les Raisins verts]]'', variétés (à partir de [[1963]]) | + | Over 28 years, he hosted 1,805 episodes of his radio show "Les Cinglés du music-hall", based on his own collection of jazz and variety [[78 rpm#78 rpm disc developments|78s]] that he had bought in [[flea market]]s around the world. The show was cancelled in 2006 under [[Jean-Paul Cluzel]]'s chairmanship of [[Radio France]]. The French section of the shows was based on notebooks entrusted to him by André Cauzard, filled with daily details of pre-war jazz music events. |
| - | * ''Les Verts Pâturages'', avec Claude Santelli, production TV ([[1964]]) | + | |
| - | * ''[[Ubu Roi]]'', d'[[Alfred Jarry]] ([[1965]]) | + | Averty directed television shows where he applied his singular style to showcase the greatest [[francophone]] singers such as [[Françoise Hardy]], [[Yves Montand]], [[Johnny Hallyday]], [[Sylvie Vartan]], [[Juliette Greco]], [[Georges Brassens]], [[Dalida]], [[France Gall]], [[Serge Gainsbourg]], [[Gilbert Bécaud]], [[Guy Marchand]], [[Léo Ferré]], [[Tino Rossi]], and [[Jean Sablon]]. |
| - | * ''[[Le Songe d'une nuit d'été]]'', de [[William Shakespeare]] ([[1969]]) | + | |
| - | * ''Les Mariés de la tour Eiffel'', de [[Jean Cocteau]] ([[1973]]) | + | In 1969 Averty directed the TV movie ''[[A Midsummer Night's Dream (1969 French film)|Le Songe d'une nuit d'été]]'', starring [[Claude Jade]], [[Christine Delaroche]] and [[Jean-Claude Drouot]], and filmed entirely in [[Chroma key|bluescreen]]. |
| - | * ''Impressions d'Afrique'', de [[Raymond Roussel]] ([[1977]]) | + | |
| - | * ''Le Surmâle'', d'[[Alfred Jarry]] ([[1980]]) | + | His television creations are landmarks in their use of video as a mode of artistic expression. Averty made great use of characters filmed against a blue screen, overlaid on a drawn background. Examples are Sapeur Camembert, based on the eponymous work of [[Georges Colomb]], and a production of [[Edmond Rostand]]'s classic play [[Chantecler (play)|Chantecler]]. |
| - | * ''La Vengeance d'une orpheline russe'', du [[Douanier Rousseau]], série ([[1988]]) | + | |
| - | * ''Le Désir attrapé par la queue'', de [[Pablo Picasso]] ([[1988]]) | + | Averty was one of the last salaried directors of the [[Société française de production|French Production Company]]. In 2012, he entrusted the management, conservation and safeguarding of the rights of all of his television and radio works to the [[Institut national de l'audiovisuel|French National Audiovisual Institute (INA)]]; nearly a thousand television programs on jazz, sports, fashion, variety and the theater. |
| - | * ''Autoportrait mou de Salvador Dali'', documentaire biographique ([[1994]]) | + | |
| - | * ''Un siècle d'écrivains, Alfred Jarry'', documentaire biographique ([[1995]]) | + | == Awards and distinctions == |
| - | * ''Tentative de description d'un dîner de têtes à Paris-France'', de [[Jacques Prévert ]] ([[1995]]) | + | * 1965 [[Emmy Award]] |
| - | Ses techniques d'incrustation vidéo lui permettent également de réaliser un ''Sapeur Camember'' d'après l'œuvre éponyme de ''Christophe'', ainsi qu'une version de ''Chantecler'', pièce d'[[Edmond Rostand]]. | ||
| {{GFDL}} | {{GFDL}} | ||
Current revision
|
Related e |
|
Featured: |
Jean-Christophe Averty (6 August 1928 in Paris – 4 March 2017) was a French film director, and Satrap of the College of 'Pataphysique.
Many of his television productions from the 1960s were early examples of French video art. His studies were used in the following decades by the research groups of the French National Audiovisual Institute (INA).
He directed Soft Self-Portrait of Salvador Dali (1970).
Biography
A graduate of the IDHEC film school, Averty started in television in 1952 at the then French Television Office. He has since directed over five hundred programs for television and radio, across all disciplines: fiction, documentary, drama, variety, and jazz. His many awards include an Emmy award in the United States.
Averty was appointed Satrap of the College of 'Pataphysique in 1990, due to his fascination for Alfred Jarry and Pataphysique.
Averty made his reputation on his strong character, his taste for provocation and his sense for innovative television. His 1963 series The Green Grapes was infamous for a recurring sequence of a baby being put through a grater.
A keen connoisseur of jazz, Averty filmed the Jazz à Juan festival for many years. The pianist Martial Solal paid him a tribute in one of his compositions: Averty, c'est moi (Averty that's me).
Over 28 years, he hosted 1,805 episodes of his radio show "Les Cinglés du music-hall", based on his own collection of jazz and variety 78s that he had bought in flea markets around the world. The show was cancelled in 2006 under Jean-Paul Cluzel's chairmanship of Radio France. The French section of the shows was based on notebooks entrusted to him by André Cauzard, filled with daily details of pre-war jazz music events.
Averty directed television shows where he applied his singular style to showcase the greatest francophone singers such as Françoise Hardy, Yves Montand, Johnny Hallyday, Sylvie Vartan, Juliette Greco, Georges Brassens, Dalida, France Gall, Serge Gainsbourg, Gilbert Bécaud, Guy Marchand, Léo Ferré, Tino Rossi, and Jean Sablon.
In 1969 Averty directed the TV movie Le Songe d'une nuit d'été, starring Claude Jade, Christine Delaroche and Jean-Claude Drouot, and filmed entirely in bluescreen.
His television creations are landmarks in their use of video as a mode of artistic expression. Averty made great use of characters filmed against a blue screen, overlaid on a drawn background. Examples are Sapeur Camembert, based on the eponymous work of Georges Colomb, and a production of Edmond Rostand's classic play Chantecler.
Averty was one of the last salaried directors of the French Production Company. In 2012, he entrusted the management, conservation and safeguarding of the rights of all of his television and radio works to the French National Audiovisual Institute (INA); nearly a thousand television programs on jazz, sports, fashion, variety and the theater.
Awards and distinctions
- 1965 Emmy Award
