Is It Because I'm Black  

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"Is It Because I'm Black" (1969) is a musical composition performed and co-written by Syl Johnson.

Like other black songwriters of the period, several of Syl Johnson's records of this time explored themes of African-American identity and social problems. The song reached number 11 in the R&B charts in 1969.

Background and recording

By 1969, Johnson had achieved several modest chart successes with songs on traditional themes of romance and relationships, but his marriage had ended, his established backing band had split up, and he was increasingly motivated by the social and economic challenges of American society. Johnson later said: "After Martin Luther King got killed, I wanted to write a song.... I didn’t want to write no song about hating this people or hating that people... I really didn’t have no vendetta against people. It’s a sympathy song."

He linked up with the musicians who until then had been working for Brunswick Records under producer Carl Davis, before leaving under acrimonious circumstances, and recorded "Is It Because I'm Black" with guitarist John Bishop, bassist Bernard Reed, and drummer Hal "Heavy" Nesbitt. Together with horn players Michael Davis and alto saxist Jerry Wilson, the musicians adopted the group name The Pieces of Peace, and toured with Johnson.

Released on the Twinight label (which had changed its name from Twilight because another company already used the name), the single rose up the R&B charts and pop charts at the end of 1969. Journalist Lanre Bakare wrote: "The main lyric from this song has taken on a life of its own and is a phrase that means so much in the American context. Johnson was from Mississippi and in a similar mould to the Chicago blues men like Junior Wells. You can hear that attitude and the grit in the vocal performance on this song. It’s like he’s giving a sermon in a church and he’s describing – in metaphor and similes – what it’s like to be black in America." Johnson's obituary referred to the song as "a slow, disconsolate ballad that is among the most affecting of the civil rights era." Robert Pruter described the song as "superbly arranged and produced...[in which] Johnson's plaintive vocals evoked the moodiness of this lamentation over the struggle of being black. The song, however, strangely suggested pride rather than defeatism."





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