Irrationalism and Aestheticism  

From The Art and Popular Culture Encyclopedia

Jump to: navigation, search

Related e

Wikipedia
Wiktionary
Tumblr
Wikisource
YouTube
Shop


Featured:
A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)
Enlarge
A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)

Irrationalism and aestheticism were philosophical movements which formed as a cultural reaction against positivism in the early 20th century. These perspectives opposed or de-emphasized the importance of the rationality of human beings. Instead, they concentrated on Kant's "noumenal realm", or the experience of one's own existence.

Part of the movements involved claims that science was inferior to intuition. In this project, art was given an especially high place, as it was considered the gateway to the noumenon. Unfortunately, not all of the public at the time were involved in this movement and only the elite had access to the art (ie. a "Mandarin elitism").

Some of the followers of this idea are Friedrich Nietzsche, Fyodor Dostoevsky, Henri Bergson, and Georges Sorel. Symbolism and existentialism grew out of these schools of thought.

See also



Unless indicated otherwise, the text in this article is either based on Wikipedia article "Irrationalism and Aestheticism" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

Personal tools