In Once Upon a Time in America (1984), a Sergio Leone film, Deborah Gelly (Elizabeth McGovern) recites Song of Songs to 'Noodles' (Robert DeNiro).  

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A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)
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A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)

In Once Upon a Time in America (1984), a Sergio Leone film, Deborah Gelly (Elizabeth McGovern) recites Song of Songs to 'Noodles' (Robert DeNiro).


My beloved is white and ruddy.
His skin is as the most fine gold.
His cheeks are as a bed of spices.
Even though he hasn't washed since last December.
His eyes are as the eyes of doves.
His body is as bright ivory.
His legs are as pillars of marble.
In pants so dirty they stand by themselves.
He is altogether lovable.
But he'll always be a two-bit punk.
So he'll never be my beloved.
What a shame.

Original lines

10 'My beloved is white and ruddy,
pre-eminent above ten thousand.
11 His head is as the most fine gold,
his locks are curled, and black as a raven.
12 His eyes are like doves beside the water-brooks;
washed with milk, and fitly set.
13 His cheeks are as a bed of spices,
as banks of sweet herbs;
his lips are as lilies, dropping with flowing myrrh.
14 His hands are as rods of gold set with beryl;
his body is as polished ivory
overlaid with sapphires.
15 His legs are as pillars of marble,
set upon sockets of fine gold;
his aspect is like Lebanon, excellent as the cedars.
16 His mouth is most sweet;
yea, he is altogether lovely.
This is my beloved, and this is my friend,
O daughters of Jerusalem.'




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