Ilya Repin
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| + | "leading exponent of Russian academic [[kitsch]] in painting" --[[Dwight Macdonald]] | ||
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| '''Ilya Yefimovich Repin''' ([[5 August]], [[1844]], [[Chuhuiv]], [[Ukraine]] – [[September 29]] [[1930]], [[Kuokkala]], [[Finland]]) was a leading [[Russia]]n/[[Ukrainian]] [[painter]] and [[sculpture|sculptor]] of the [[Peredvizhniki]] artistic school. His [[Realism (visual arts)|realist]]ic works often expressed great psychological depth and exposed the tensions within the existing social order. Beginning in the latter-[[1920s]], detailed works on him were being published in the USSR and about a decade later, a Repin cult was established in the [[Soviet Union]] and he was being held up as a model "progressive" and "realist" to be imitated by "[[Socialist realism|Socialist Realist]]" artists in the USSR. | '''Ilya Yefimovich Repin''' ([[5 August]], [[1844]], [[Chuhuiv]], [[Ukraine]] – [[September 29]] [[1930]], [[Kuokkala]], [[Finland]]) was a leading [[Russia]]n/[[Ukrainian]] [[painter]] and [[sculpture|sculptor]] of the [[Peredvizhniki]] artistic school. His [[Realism (visual arts)|realist]]ic works often expressed great psychological depth and exposed the tensions within the existing social order. Beginning in the latter-[[1920s]], detailed works on him were being published in the USSR and about a decade later, a Repin cult was established in the [[Soviet Union]] and he was being held up as a model "progressive" and "realist" to be imitated by "[[Socialist realism|Socialist Realist]]" artists in the USSR. | ||
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Revision as of 20:40, 11 April 2016
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"leading exponent of Russian academic kitsch in painting" --Dwight Macdonald |
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Ilya Yefimovich Repin (5 August, 1844, Chuhuiv, Ukraine – September 29 1930, Kuokkala, Finland) was a leading Russian/Ukrainian painter and sculptor of the Peredvizhniki artistic school. His realistic works often expressed great psychological depth and exposed the tensions within the existing social order. Beginning in the latter-1920s, detailed works on him were being published in the USSR and about a decade later, a Repin cult was established in the Soviet Union and he was being held up as a model "progressive" and "realist" to be imitated by "Socialist Realist" artists in the USSR.
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