Ian Watt
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| - | '''Ian Watt''' ([[March 9]], [[1917]] – [[December 13]], [[1999]]) was a literary critic, literary historian and professor of English at [[Stanford University]]. His ''[[Rise of the Novel: Studies in Defoe, Richardson and Fielding]]'' (1957) is an important work in the history of the genre. Although published in 1957, ''The Rise of the Novel'' is still considered by many contemporary literary scholars as the seminal work on the origins of the [[novel]], and an important study of literary [[realism (arts)|realism]]. The book traces the rise of the modern novel to philosophical, economic and social trends and conditions that become prominent in the early 18th century. | + | '''Ian Watt''' (1917 – 1999) was a [[literary critic]], [[literary historian]] and professor of English known for his study ''[[Rise of the Novel]]'' (1957). |
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| - | Watt was born in [[Windermere]], [[Westmorland]], England, and died in Menlo Park, California, USA. | + | [[Augustan literature]], [[Augustan prose]], [[Burma Railway]], [[Changi Prison]], [[Genre fiction]], [[Individualism]], [[Jack Goody]], [[Jane Austen]], [[Joseph Andrews]], [[Joseph Conrad]], [[List of claimed first novels in English]], [[Literary realism]], [[Louis Cazamian]], [[Novel]], [[Pamela; or, Virtue Rewarded]], [[Realism (arts)]], [[Robinson Crusoe]], [[Robyn R. Warhol]], [[Sociology of literature]], [[The History of Tom Jones, a Foundling]], [[The Lagoon]], [[The Scouring of the Shire]], [[Youth (Conrad short story)]] |
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| - | A key element Watt explores is the decline in importance of the philosophy of classical antiquities, with its various strains of idealistic thought that viewed human experience as composed of universal Platonic "forms" with an innate perfection. Such a view of life and philosophy dominated writers from ancient times through the Renaissance, resulting in classical poetic forms and genres with essentially flat plots and characters (Russian theorist [[Mikhail Bakhtin]] has written that such literature can literally be read front to back, or back to front, with no significant difference in effect). These philosophical beliefs began to be replaced perhaps in the later [[Renaissance]], into the [[Age of Enlightenment|Enlightenment]], and, most importantly, in the early 18th century. The importance of rationalist philosophers such as [[John Locke]], [[Descartes]], [[Spinoza]] and many others who followed them, and the scientific, social and economic developments of this period began to have ever greater impact, and in place of the older classical idealism, a more realistic, pragmatic, empirical understanding of life and human behavior, which recognized human individuality and conscious experience, began to emerge. This was reflected in the novels of [[Daniel Defoe]], [[Samuel Richardson]] and [[Henry Fielding]], who in important ways began to write of unique individual lives and experiences lived in realistic, intersubjective (the term is Husserl's, who did not come along until the 20th century) environments. Watt wrote that the novel form's "primary criterion was truth to individual experience" (13). It is this focus on individual experience that characterizes the novel in Wattian terms. Prose works of a certain length could not necessarily be classified as novels--lengthy prose works had existed since ancient times, but many of these works dealt in the types characteristic of ancient literature. The [[picaresque novel]] is an example of such a genre. | + | |
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| - | A second major trend that Watt studies is the "rise of the reading public" and the growth of professional publishing during this period. Publishers at this time “occupied a strategic position between author and printer, and between both of these and the public” (52-3). The growth of profit concerns impelled publishers to reach out to wider reading publics, which created the need in popular writings for more individual characterization and portrayals of a greater array of different classes, peoples, ages, sexes, etc. (writing aimed at, and soon written by, women writers is an important trend of 18th century literature) Such detailed writings of the experiences of different people can be seen in the novelists Watt examines, and had rarely been seen before. Watt presents many statistical details in this section of the book in support of his argument. | + | |
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| - | ==References== | + | |
| - | * ''[[The Rise of the Novel]]: Studies in Defoe, Richardson and Fielding''; University of California Press (June 4, 2001); ISBN 0-520-23069-8 | + | |
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| - | == Other works by Watt == | + | |
| - | * ''Myths of Modern Individualism: Faust, Don Quixote, Don Juan, Robinson Crusoe'' | + | |
| - | * ''Essays on Conrad'' | + | |
| - | * ''Conrad's "Secret Agent" (Casebook)'' | + | |
| - | * ''Conrad in the Nineteenth Century'' | + | |
| - | * ''Jane Austen (20th Century Views)'' | + | |
| - | * ''The humanities on the River Kwai'' (The Grace A. Tanner Lecture in human values) | + | |
| - | * ''Conrad criticism and The nigger of the 'Narcissus'" | + | |
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| - | == Editor and with others == | + | |
| - | * Introduction to ''The Secret Sharer: An Episode from the Coast'' by Joseph Conrad | + | |
| - | * ''The Literal Imagination: Selected Essays'' by Ian P. Watt, edited by Bruce Thompson | + | |
| - | * ''The Consequences of Literacy'' (with Jack Goody) | + | |
| - | * Editor: ''The Life and Opinions of Tristram Shandy, Gentleman'' by Laurence Sterne | + | |
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Ian Watt (1917 – 1999) was a literary critic, literary historian and professor of English known for his study Rise of the Novel (1957).
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Pages linking in in 2023
Augustan literature, Augustan prose, Burma Railway, Changi Prison, Genre fiction, Individualism, Jack Goody, Jane Austen, Joseph Andrews, Joseph Conrad, List of claimed first novels in English, Literary realism, Louis Cazamian, Novel, Pamela; or, Virtue Rewarded, Realism (arts), Robinson Crusoe, Robyn R. Warhol, Sociology of literature, The History of Tom Jones, a Foundling, The Lagoon, The Scouring of the Shire, Youth (Conrad short story)
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