Hundred Guilder Print  

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A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)
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A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)

Hundred Guilder Print[1] (ca. 1647-1649 (1643-1649))is a print by Rembrandt on which he worked in stages throughout the 1640s, and it was the work from which his final etching style began to emerge. Although the print only survives in two states, the first very rare, evidence of much reworking can be seen underneath the final print and many drawings survive for elements of it. It is located at the Rijksmuseum Amsterdam.



Unless indicated otherwise, the text in this article is either based on Wikipedia article "Hundred Guilder Print" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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