Historical mystery
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| - | [[Uncle Abner]] is a [[historical detective]] created by [[Melville Davisson Post]] who appeared in stories that were serialized in American newspapers from 1911 onwards. | + | The '''historical [[whodunit]]''' is a sub-genre of [[historical fiction]] which bears elements of the classical [[mystery novel]], in which the central plot involves a [[crime]] (almost always a [[murder]]) and the setting has some [[historical significance]]. |
| - | Uncle Abner is Post's best-known literary creation, the character, one of six detectives created by Post, having appeared in 22 stories that were serialized in American magazines (primarily ''[[The Saturday Evening Post]]'') between 1911 and 1928. The first tale, "The Angel of the Lord", is perhaps the very first work in the [[historical mystery]] genre. Uncle Abner solved the mysteries that confronted him in a backwoods West Virginia community, immediately prior to the [[American Civil War]] and before the infant nation had any proper police system. He had two great attributes for his self-imposed task: a profound knowledge of and love for the [[Bible]], and a keen observation of human actions. One example of Uncle Abner's keen deductive skills is his showing a deaf man had not written a document, because a word in it was phonetically misspelled. | + | One of its most famous examples is ''[[The Name of the Rose]]'' (1980) by Italian author Umberto Eco. |
| - | Physically, Abner is described as having a large, powerful build, with craggy features, and a "grizzled" beard. His clothing is described as "plain and somber". Throughout the stories he is accompanied by his young nephew Martin, who narrates the adventures, and aided by Justice of the Peace, Squire Randolph. | + | There is debate over how much [[historical accuracy]] is required to make a given setting historical rather than [[fantasy]] or [[alternate history]] or really just a modern story in fancy dress. While there has to be some elements of real life history to the setting under most definitions, the "detective" may be a real-life historical figure, eg. [[Socrates]], [[Jane Austen]], [[Wolfgang Amadeus Mozart|Mozart]], or a wholly imaginary character. |
| - | [[Ellery Queen]] would later call the stories "an out-of-this-world target for future detective-story writers." In his 1924 book of literary criticism ''Cargoes for Crusoes'', Grant Overton called the publication of Post's "The Doomdorf Mystery" a "major literary event", and in ''Murder for Pleasure'' (1941), Howard Haycraft called Uncle Abner "the greatest American contribution" to the list of fictional detectives after [[Edgar Allan Poe]]'s [[C. Auguste Dupin]]. After Post's death, more stories about Abner were written (at the request of the Melville Davisson Post estate) by the retired American research chemist, John F. Suter (1914-1996). | + | Near contemporaries [[Melville Davisson Post]] and [[Anna Katherine Green]] wrote the earliest known stories that might be described as historical [[whodunnit]]s, although both also wrote mysteries with contemporary settings as well. [[Melville Davisson Post|Post]] is best known for his historical detective [[Uncle Abner]], who appeared in stories that were serialized in American newspapers from 1911 onwards. It was not until 1943 that [[Lillian de la Torre]], an American mystery writer, did something similar with [[Samuel Johnson|Dr Johnson]] and [[James Boswell|Boswell]], casting the two famous literary figures into roles similar to Sherlock Holmes and Dr Watson. In 1944 [[Agatha Christie]] published ''[[Death Comes as the End]]'', a mystery set in ancient Egypt, possibly the first full-length historical whodunnit. In [[1950]], [[John Dickson Carr]] produced a novel called ''[[The Bride of Newgate]]'', set at the close of the [[Napoleonic Wars]], possibly the second full-length historical whodunnit. [[Josephine Tey]] brought out ''[[The Daughter of Time]]'', in which a police detective alleviates a stay in hospital by investigating the case of [[Richard III of England]] and the [[Princes in the Tower]], a year later. While it is not strictly speaking an historical [[whodunnit]] according to most definitions, a large number of fans of the genre cite it as the book that got them interested in the concept. [[Georgette Heyer]] is generally thought of as the author of [[regency romance]] novels, but a number of her books, such as ''[[The Talisman Ring]]'' ([[1936]]), can be considered historical mysteries with a romance subplot. |
| - | In 1945, ''Signature'', a stage adaptation by Elizabeth McFadden of an Abner short story, ''Naboth's Vineyard'', lasted only two performances. Abner was played by [[Judson Laire]]. | + | Such stories subsequently remained an oddity, with the current trend for historical whodunnits only really beginning in the late 1970s with the success of [[Ellis Peters]] and her [[Brother Cadfael]] novels, set in medieval [[Shrewsbury]]. [[Umberto Eco]]'s ''[[The Name of the Rose]]'' ([[1980]]) was a one-off that helped popularise the concept. Although authors such as [[Anne Perry]] wrote in the genre during the next decade, it wasn't until about 1990 that the genre's popularity saw a fairly quick ascent with works such as [[Lindsey Davis]]'s [[Marcus Didius Falco|Falco]] novels, set in the [[Roman Empire]] of [[Vespasian]]; [[Elizabeth Peters]]'s [[Amelia Peabody series|Amelia Peabody]] novels, in which the main character is not only a Victorian lady but an early [[feminist]] and an [[archaeologist]] working in early 20th century [[Egypt]]; [[Steven Saylor]]'s "[[Roma Sub Rosa]]" novels, set in the [[Roman Republic]] at the time of [[Julius Caesar]]; [[John Maddox Roberts]]'s [[SPQR series]] set during the [[Roman Republic]]; and [[P. C. Doherty]]'s various series, including ''The Sorrowful Mysteries of Brother Athelstan'', ''the Hugh Corbett'' medieval mysteries, partly indebted to the [[hardboiled]] tradition, and ''the Canterbury Tales of Mystery and Murder''. |
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| + | Two of the newer trends in the genre are books with a split setting, i.e. a modern story framing action that occurs in one or more past settings, and books where all of the action occurs in the present but the puzzle to be solved is all about elements from the past. Much of the popularity of these sorts of stories, which are not considered historical [[whodunnit]]s by everyone in the genre, is driven by the runaway success of [[Dan Brown]]'s [[The Da Vinci Code]], its prequel, [[Angels and Demons]], and various copycat titles. | ||
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Revision as of 22:48, 13 April 2023
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The historical whodunit is a sub-genre of historical fiction which bears elements of the classical mystery novel, in which the central plot involves a crime (almost always a murder) and the setting has some historical significance.
One of its most famous examples is The Name of the Rose (1980) by Italian author Umberto Eco.
There is debate over how much historical accuracy is required to make a given setting historical rather than fantasy or alternate history or really just a modern story in fancy dress. While there has to be some elements of real life history to the setting under most definitions, the "detective" may be a real-life historical figure, eg. Socrates, Jane Austen, Mozart, or a wholly imaginary character.
Near contemporaries Melville Davisson Post and Anna Katherine Green wrote the earliest known stories that might be described as historical whodunnits, although both also wrote mysteries with contemporary settings as well. Post is best known for his historical detective Uncle Abner, who appeared in stories that were serialized in American newspapers from 1911 onwards. It was not until 1943 that Lillian de la Torre, an American mystery writer, did something similar with Dr Johnson and Boswell, casting the two famous literary figures into roles similar to Sherlock Holmes and Dr Watson. In 1944 Agatha Christie published Death Comes as the End, a mystery set in ancient Egypt, possibly the first full-length historical whodunnit. In 1950, John Dickson Carr produced a novel called The Bride of Newgate, set at the close of the Napoleonic Wars, possibly the second full-length historical whodunnit. Josephine Tey brought out The Daughter of Time, in which a police detective alleviates a stay in hospital by investigating the case of Richard III of England and the Princes in the Tower, a year later. While it is not strictly speaking an historical whodunnit according to most definitions, a large number of fans of the genre cite it as the book that got them interested in the concept. Georgette Heyer is generally thought of as the author of regency romance novels, but a number of her books, such as The Talisman Ring (1936), can be considered historical mysteries with a romance subplot.
Such stories subsequently remained an oddity, with the current trend for historical whodunnits only really beginning in the late 1970s with the success of Ellis Peters and her Brother Cadfael novels, set in medieval Shrewsbury. Umberto Eco's The Name of the Rose (1980) was a one-off that helped popularise the concept. Although authors such as Anne Perry wrote in the genre during the next decade, it wasn't until about 1990 that the genre's popularity saw a fairly quick ascent with works such as Lindsey Davis's Falco novels, set in the Roman Empire of Vespasian; Elizabeth Peters's Amelia Peabody novels, in which the main character is not only a Victorian lady but an early feminist and an archaeologist working in early 20th century Egypt; Steven Saylor's "Roma Sub Rosa" novels, set in the Roman Republic at the time of Julius Caesar; John Maddox Roberts's SPQR series set during the Roman Republic; and P. C. Doherty's various series, including The Sorrowful Mysteries of Brother Athelstan, the Hugh Corbett medieval mysteries, partly indebted to the hardboiled tradition, and the Canterbury Tales of Mystery and Murder.
Two of the newer trends in the genre are books with a split setting, i.e. a modern story framing action that occurs in one or more past settings, and books where all of the action occurs in the present but the puzzle to be solved is all about elements from the past. Much of the popularity of these sorts of stories, which are not considered historical whodunnits by everyone in the genre, is driven by the runaway success of Dan Brown's The Da Vinci Code, its prequel, Angels and Demons, and various copycat titles.
