Hilton Kramer  

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A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)
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A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)

Hilton Kramer (born 1928, Gloucester, Massachusetts ) is a U.S. conservative art critic and cultural commentator, one of the first critics to pronounce the death of the avant-garde.

Over the course of his career, Kramer came to disagree with the left of center political views and what he perceived as the aesthetic nihilism characterizing a large majority of 20th century working artists and art critics. This change of position led to his resignation from The New York Times in 1982 to found The New Criterion, now a prominent conservative magazine for which Kramer is, with Roger Kimball, co-editor and publisher. Kramer took a strongly anti-Stalinist stance in his 2003 review of Anne Applebaum's Gulag: A History. In his 1999 The Twilight of the Intellectuals, he defended the anti-Stalinist views of art critic Clement Greenberg.

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Unless indicated otherwise, the text in this article is either based on Wikipedia article "Hilton Kramer" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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