Henriette Hauser  

From The Art and Popular Culture Encyclopedia

Jump to: navigation, search
In 1877, French artist Édouard Manet exhibited "Nana", a life-size portrayal of a courtesan in undergarments, standing before her fully clothed gentleman caller. The model for it was the popular courtesan Henriette Hauser.
Enlarge
In 1877, French artist Édouard Manet exhibited "Nana", a life-size portrayal of a courtesan in undergarments, standing before her fully clothed gentleman caller. The model for it was the popular courtesan Henriette Hauser.

Related e

Wikipedia
Wiktionary
Tumblr
Wikisource
YouTube
Shop


Featured:
A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)
Enlarge
A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)

Manet asked Henriette Hauser, a well-known grande cocotte, to pose for him. Henriette Hauser was kept by the Prince of Orange, and so was nicknamed ‘Citron’. Nana was a Parisian courtesan, and the novel by Zola is about her life.



Unless indicated otherwise, the text in this article is either based on Wikipedia article "Henriette Hauser" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

Personal tools