HOKUSAI “mad about his art” From Edmond de Goncourt to Norbert Lagane  

From The Art and Popular Culture Encyclopedia

Jump to: navigation, search

Related e

Wikipedia
Wiktionary
Tumblr
Wikisource
YouTube
Shop


Featured:
A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)
Enlarge
A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)

HOKUSAI “mad about his art” From Edmond de Goncourt to Norbert Lagane.

21 May4 August, 2008

The National Museum of Asian Art Guimet is now inventorying some 120 works of art signed by or attributed to Hokusai or his studio. Among these works, prints (nishiki-e) – some belonging to series as famous as the Thirty-six Views of the Fuji and also more private editions (surimono) – but also preparatory drawings (hanshita-e), sketches, and a few paintings (nikuhitsu), giving evidence of this less known Hokusai activity.

Yet, in spite of the strong interest shown by French collectors for this master since the end of 19th century, no Hokusai exhibition was ever organized by the Guimet Museum. Only a few of his prints are exhibited, once a year, in our Japanese art galleries.

In 2001, an outstanding donation allowed by Norbert Lagane has disclosed the Dragon among clouds, an original and unpublished painting signed by Hokusai ; Pr. Nagata discovered in 2005 that this kakemono was forming a pair with the Tiger under the Rain kept by the Ota Museum.

Again, in 2002 and 2003, the Guimet Museum could realize new acquisitions in public sales, gathering several preparatory drawings (hanshita-e) and a Fuji View printed in blue, all coming from the Bérès collection.

Our next exhibition will give an opportunity to gather and present for the first time all these recently entered Hokusai works, and also the more ancient collection, coming mostly from the Louvre Museum, specially restored or remounted in this view.

Lastly, beyond our duty to display a collection probably better known by French public around 1900 than today, remains the question about this collection’s history as well as history of art critic. From the Edmond de Goncourt Hokusai, printed in 1896, in what degree has our appreciation changed? Through Hokusai works collected by our museum, echoing activity of the main collectors, we will try to propose an answer.

Contact Information :

National Museum of Asian Art Guimet 6 Place d’Iéna 75116 Paris France

Hélène Lefèvre helene.lefevre@guimet.fr





Unless indicated otherwise, the text in this article is either based on Wikipedia article "HOKUSAI “mad about his art” From Edmond de Goncourt to Norbert Lagane" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

Personal tools