Gynecocracy
From The Art and Popular Culture Encyclopedia
|
Related e |
|
Wikipedia
Featured:  |
This term derives from Greek (gyneco-, a combining form of the Greek word for "woman") + crat ("rule"). This is sometimes used as a more technically etymologically correct word for what is usually referred to as matriarchy.
In popular contemporary fiction
Among popular writers, the idea of peaceful matriarchal civilizations being destroyed by patriarchal, nomadic barbarian invaders has lived on as a powerful literary trope.
Mary Renault's historical novels about Greek mythology and history such as The King Must Die combine motifs of political conflict between goddess and god worshippers with The Golden Bough's academic hypothesis about dying and reviving gods. The patriarchal conquest of matriarchy motif is found in dozens of fantasy novels, from Marion Zimmer Bradley's historical revisions of Arthurian romance and the Trojan War to works such as Guy Gavriel Kay's A Song for Arbonne. Gender roles and the conflict of patriarch vs. matriarchy is a major theme in the Wheel of Time books by Robert Jordan.
The remake version (not the original) of The Wicker Man, starring Nicolas Cage, takes place within a fictional matriarchy in the state of Washington. The society, Summersisle, is modeled after a biological precedent, honeybee culture and behavior.
Twentieth century uses
Austrian writer Bertha Diener, also known by her American pseudonym, Helen Diner, wrote Mothers and Amazons (1930) which was the first work to focus on women's cultural history. She is regarded as a classic of feminist matriarchal study. Her hypothesis is that in the past all human cultures were matriarchal and had distinct advantages, then, at some point, most shifted to patriarchal and degenerated.
The controversy was reinforced further by the publication of The White Goddess by Robert Graves (1948). He also published a comprehensive translation of Ancient Greek mythology, The Greek Myths, that included many cross cultural comparisons and explications. He asserted that the remaining fragments of the earliest vestiges of Greek mythology led him to believe that the classical Greek mythology dating from 500 B.C. and later showed signs of having been rewritten after a profound change in the religion of Greek civilization that occurred within its very early historical times, or because of misinterpretations after knowledge of the original religious concepts was lost.
From the 1950s, Marija Gimbutas developed a theory of an Old European culture in neolithic Europe which had matriarchal traits, and was replaced by the patriarchal system of the Proto-Indo-Europeans with the spread of Indo-European languages beginning in the Bronze Age.
During the 1970s these academic ideas were taken up by popular writers of second-wave feminism and, expanded with the speculations of Margaret Murray on witchcraft, by the Goddess movement, feminist Wicca, as well as work by Elizabeth Gould Davis, Riane Eisler, and Merlin Stone. The concept of a matriarchal golden age in the Neolithic has been denounced as feminist wishful thinking in The Inevitability of Patriarchy, Why Men Rule, more recently by Philip G. Davis Goddess Unmasked, 1998, and Cynthia Eller, professor at Montclair State University The Myth of Matriarchal Prehistory, 2000. According to Eller, Gimbutas had a large part in constructing a myth of historical matriarchy by examining Eastern Europe cultures that she asserts, by and large, never really bore any resemblance in character to the alleged universal matriarchal suggested by Gimbutas and Graves. She asserts that in "actually documented primitive societies" of recent (historical) times, paternity is never ignored and that the sacred status of goddesses does not automatically increase female social status, and believes that this affirms that utopian matriarchy is simply an inversion of antifeminism. The feminist scenarios of Neolithic matriarchy have been called into question and are not emphasized in third-wave feminism.
The original evidence recognized by Gimbutas, however, of Neolithic cultures being more egalitarian than the latter Bronze Age Indo-European and Semitic patriarchies remains valid. Notably, Gimbutas has not described these societies as "matriarchal", preferring the term "woman-centered" or "matristic".
Del Giorgio in The Oldest Europeans (2006) insists on a matrifocal, matrilocal, matrilineal, Paleolithic society. Kurt Derungs is an author advocating an "anthropology of landscape" based on alleged matriarchal traces in toponymy and folklore.
Feminist authors adhering to the Modern Matriarchal Studies school of thought consider any non-patriarchic form of society as falling within their field, including all examples of matrilineality, matrilocality, and avunculism, regardless of discussions on the extent of "matrifocality".
See also
- Gynecocracy (novel) (1893) - anonymous
