Greek Anthology  

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A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)
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A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)
"About 60 B.C., the sophist and poet, Meleager of Gadara, undertook to combine the choicest effusions of his predecessors into a single body of fugitive poetry. His selection, compiled from forty-six of his predecessors, and including numerous contributions of his own, was entitled The Garland, and in an introductory poem each poet is compared to some flower, fancifully deemed appropriate to his genius. The arrangement of his collection was alphabetical, according to the initial letter of each epigram." --Sholem Stein

The Greek Anthology (also called Anthologia Graeca or, sometimes, the Palatine Anthology) is a collection of poems, mostly epigrams, that span the classical and Byzantine periods of Greek literature.

While papyri containing fragments of collections of poetry have been found in Egypt, the earliest known anthology in Greek was compiled by Meleager of Gadara, under the title Anthologia, or "Garland." It contained poems by the compiler himself and forty-six other poets, including Archilochus, Alcaeus, Anacreon, and Simonides. In his preface to his collection, Meleager describes his arrangement of poems as if it were a head-band or garland of flowers woven together in a tour de force that made the word "Anthology" a synonym for a collection of literary works for future generations.

Meleager's Anthology was popular enough that it attracted later additions.Prefaces to the editions of Philippus of Thessalonica and Agathias were preserved in the Greek Anthology to attest to their additions of later poems. The definitive edition was made by Constantine Cephalas in the tenth century AD, who added a number of other collections: homoerotic verse collected by Straton of Sardis in the second century AD; a collection of Christian epigrams found in churches; a collection of satirical and convivial epigrams collected by Diogenianus; Christodorus' description of statues in the Byzantine gymnasium of Zeuxippos; and a collection of inscriptions from a temple in Cyzicus.

The scholar Maximus Planudes also made an edition of the Greek Anthology, which while adding some poems, primarily deleting or bowdlerizing many of the poems he felt were impure. His anthology was the only one known to Western Europe (his autograph copy, dated 1301 survives; the first edition based on his collection was printed in 1494) until 1606 when Claudius Salmasius found in the library at Heidelberg a fuller collection based on Cephalas. The copy made by Salmasius was not, however, published until 1776, when Richard François Philippe Brunck included it in his Analecta. The first critical edition was that of F. Jacobs (13 vols. 1794-1803; revised 1813-17).

Since its transmission to the rest of Europe, the Greek Anthology has left a deep impression on its readers. In a 1971 article on Robin Skelton's translation of a selection of poems from the Anthology, a reviewer for the Times Literary Supplement wrote, "The time of life does not exist when it is impossible to discover in it a masterly poem one had never seen before." Its influence can be seen on writers as diverse as Propertius, Ezra Pound and Edgar Lee Masters. Since full and uncensored English translations became available at the end of the 20th century, its influence has widened still further.



Unless indicated otherwise, the text in this article is either based on Wikipedia article "Greek Anthology" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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