Giuseppe Cesari
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- | + | '''Giuseppe Cesari''' (c. 1568 – 1640) was an [[Italian painter]] known for [[Mannerism|Mannerist]] paintings such as ''[[Diana and Actaeon (Giuseppe Cesari)|Diana and Actaeon]]''. | |
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- | '''Giuseppe Cesari''' (c. 1568 – July 3, 1640) was an [[Italy|Italian]] [[Mannerism|Mannerist]] [[Painting|painter]], also named '''Il Giuseppino''' and called '''''Cavaliere d'Arpino''''', because he was created ''Cavaliere di Cristo'' by his patron [[Pope Clement VIII]]. He was much patronized in [[Rome]] by both [[Sixtus V]]. | + | |
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==Biography== | ==Biography== | ||
Cesari's father had been a native of [[Arpino]], but Giuseppe himself was born in Rome. Here, he was apprenticed to [[Niccolò Pomarancio]]. Cesari is stigmatized by [[Luigi Lanzi|Lanzi]], as not less the corrupter of taste in painting than [[Giambattista Marino|Marino]] was in poetry. (Lanzi disdained the style of post-Michelangelo [[Mannerism]] as a time of decline). | Cesari's father had been a native of [[Arpino]], but Giuseppe himself was born in Rome. Here, he was apprenticed to [[Niccolò Pomarancio]]. Cesari is stigmatized by [[Luigi Lanzi|Lanzi]], as not less the corrupter of taste in painting than [[Giambattista Marino|Marino]] was in poetry. (Lanzi disdained the style of post-Michelangelo [[Mannerism]] as a time of decline). |
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Giuseppe Cesari (c. 1568 – 1640) was an Italian painter known for Mannerist paintings such as Diana and Actaeon.
Biography
Cesari's father had been a native of Arpino, but Giuseppe himself was born in Rome. Here, he was apprenticed to Niccolò Pomarancio. Cesari is stigmatized by Lanzi, as not less the corrupter of taste in painting than Marino was in poetry. (Lanzi disdained the style of post-Michelangelo Mannerism as a time of decline).
He was a man of touchy and irascible character, and rose from penury to the height of opulence. His brother Bernardino Cesari assisted in many of his works. Cesari became a member of the Accademia di San Luca in 1585. In 1607, he was briefly jailed by the new papal administration. He died in 1640, at the age of seventy-two, or perhaps of eighty, at Rome.
His only direct followers were his sons Muzio (1619-1676) and Bernardino (d. 1703). Pier Francesco Mola (1612-66) apprenticed in his studio. Other pupils include Francesco Allegrini da Gubbio, Guido Ubaldo Abatini, Vincenzo Manenti, and Bernardino Parasole.
His most notable and perhaps surprising pupil was Caravaggio. In c. 1593-94, Caravaggio held a job at Cesari's studio as a painter of flowers and fruit.