Gaylyn Studlar
From The Art and Popular Culture Encyclopedia
|
Related e |
|
Featured: |
Ph.D. (Cinema), University of Southern California, 1984 Prof. Studlar's scholarship is well known in the area of feminist film theory, but she has wide ranging interests in how gender and sexuality are represented in film, especially American genre film. Gaylyn Studlar was recently named the Rudolf Arnheim Collegiate Professor of Film Studies, making her one of eight faculty members in the College of LS&A to be appointed to endowed or titled professorships in 2000.
Publications: Visions of the East: Orientalism in Film (Rutgers UP, 1997); This Mad Masquerade: Stardom and Masculinity in the Jazz Age (Columbia UP, 1996); Reflections in a Male Eye: John Huston and the American Experience (Smithsonian Institution Press, 1993); In the Realm of Pleasure: Von Sternberg, Dietrich, and the Masochistic Aesthetic (University of Illinois Press, 1988); numerous articles in anthologies and journals, including "Silent Film", ed. by Richard Abel; "Movies and Methods II", ed. by Bill Nichols; "Film Theory and Criticism", ed. by Mast, Cohen, and Braudy; "Bodies of the Text: Dance as Theory"; "Literature as Dance"; "Fields of Vision: Essays in Film Studies"; "Visual Anthropology"; and "Photography, Fabrications, From Hanoi to Hollywood", and others. Her co-edited volume, JOHN FORD MADE WESTERNS, will be published by Indiana University Press in January 2001.
Masochism and the Perverse Pleasures of the Cinema
In: Quarterly Review of Film and Video, Vol. 9, No. 4, 1984, pp. 267-282 Notes: Also published in "Movies and Methods" (ed. Bill Nichols), University of California Press, 1985, pp. 602-621. Books
See also
