From Russia, with Love (novel)
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| - | '''Tricoteuse''' is French for a [[knitting]] woman. The term is most often used in its historical sense as a nickname for the women who sat beside the [[guillotine]] during public executions in Paris in the [[French Revolution]], supposedly continuing to knit in between executions. Amongst the items they knitted was the famous Liberty Cap or [[Phrygian cap]]. | ||
| - | ==Origins== | ||
| - | One of the earliest outbreaks of insurrection in the revolutionary era was the [[Women's March on Versailles]] on October 5, 1789. Irate over high food prices and chronic shortages, working class women from the markets of Paris spontaneously marched to the royal residence at the [[Palace of Versailles]] to protest. Numbering in the thousands, the crowd of women commanded a unique respect: their demands for bread were met and [[Louis XVI of France]] was forced to leave his luxurious palace and return, most unwillingly, to Paris to preside "from the national home". | ||
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| - | The unexpected success of the march bestowed a near-mythic status upon the previously unheralded market women. Though lacking any central figures who could be ascribed leadership, the group identity of the revolutionary women became highly celebrated. The working "Mothers of the Nation" were praised and solicited by successive governments for years after the march. "These market-women had been treated as heroines ever since their march to Versailles in October 1789; government after government of Paris delighted to show them honor[.]" | ||
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| - | Eventually the persistent rowdy behavior of the market women became a liability to the increasingly authoritarian revolutionary government. When the [[Reign of Terror]] began in 1793, the dangerously unpredictable market women were made unwelcome: in May they were excluded from their traditional seats in the spectator galleries of the [[National Convention]], and only days later they were officially prohibited from any form of political assembly whatsoever. "[The market women] played an important part in the street history of Paris, up to the Reign of Terror, when their power was suddenly taken from them. On 21 May 1793, they were excluded by a decree from the galleries of the Convention; on 26 May they were forbidden to form part of any political assembly." | ||
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| - | The veterans of the march, and their numerous successors and hangers-on, gathered thereafter at the [[guillotine]] in the Place de la Révolution (now [[Place de la Concorde]]), as sullen onlookers to the daily public executions. "Thus deprived of active participation in politics, the market-women became the tricoteuses, or knitting-women, who used to take their seats at the Place de la Révolution, and watch the guillotine as they knitted." | ||
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| - | ==In literature== | ||
| - | * In [[Charles Dickens]]' novel ''[[A Tale of Two Cities]]'', the character [[Madame Defarge]] is a particularly bloodthirsty tricoteuse during the Reign of Terror. She and other female revolutionaries encrypt the names of those who are to be executed into their hand-knit goods by using different sequences of stitches. | ||
| - | * In the first chapter of [[Emma Orczy]]'s novel ''[[The Scarlet Pimpernel]]'' the Pimpernel disguises himself as a cart-driving tricoteuse in order to smuggle aristocrats out of Paris. | ||
| - | * The final chapter in [[Ian Fleming]]'s novel ''[[From Russia, with Love (novel)|From Russia, with Love]]'' is titled "La Tricoteuse" because the head of SMERSH, [[Rosa Klebb]], is frequently associated with the tricoteuses throughout the novel. | ||
| - | * [[David Bowie]]'s song suite "Sweet Thing/Candidate/Sweet Thing (Reprise)" from the album [[Diamond Dogs]] contains the line: Someone scrawled on the wall "I smell the blood of les tricoteuses". | ||
| - | *[[Elizabeth Bowen]] describes a character in "[[The Death of the Heart]]" by saying "At the same time, and underlying all this, there could have been a touch of the ''tricoteuse'' about Daphne, once fully worked up, and this all came out in her constantly angry feeling against Anna." | ||
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| + | '''''From Russia, with Love''''' is the fifth novel by the English author [[Ian Fleming]] to feature his fictional British [[Secret Intelligence Service|Secret Service]] agent [[James Bond (literary character)|James Bond]]. Fleming wrote the story in early 1956 at his [[Goldeneye (estate)|Goldeneye estate]] in Jamaica; at the time he thought it might be his final Bond book. The novel was first published in the United Kingdom by [[Jonathan Cape]] on 8 April 1957. | ||
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From Russia, with Love is the fifth novel by the English author Ian Fleming to feature his fictional British Secret Service agent James Bond. Fleming wrote the story in early 1956 at his Goldeneye estate in Jamaica; at the time he thought it might be his final Bond book. The novel was first published in the United Kingdom by Jonathan Cape on 8 April 1957.
Unless indicated otherwise, the text in this article is either based on Wikipedia article "From Russia, with Love (novel)" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.
