Fred Van Hove
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- | '''Fred Van Hove''' (1937 – 2022) was a [[Belgian jazz]] musician and a pioneer of European [[free jazz]], known for his contributions to albums such as ''[[Machine Gun (Peter Brötzmann album)|Machine Gun]]'' (1968). He was a pianist, accordionist, church organist, and [[carillonist]], an [[free improvisation|improviser]] and a composer. In the 1960s and 1970s he performed with saxophonist [[Peter Brötzmann]] and drummer [[Han Bennink]]. | + | '''Fred Van Hove''' (1937 – 2022) was a [[Belgian jazz]] musician and a pioneer of [[European free jazz]], known for his contributions to albums such as ''[[Machine Gun (Peter Brötzmann album)|Machine Gun]]'' (1968). He was a pianist, accordionist, church organist, and [[carillonist]], an [[free improvisation|improviser]] and a composer. In the 1960s and 1970s he performed with saxophonist [[Peter Brötzmann]] and drummer [[Han Bennink]]. |
==Biography== | ==Biography== | ||
Van Hove studied musical theory, harmony and piano in Belgium. He began an association with saxophonist [[Peter Brötzmann]] in 1966, playing on his early quartet and sextet recordings including 1968's ''[[Machine Gun (Peter Brötzmann album)|Machine Gun]]'' album, and then as part of a trio with Brötzmann and drummer [[Han Bennink]]. Van Hove later played in a number of duos, notably with saxophonists [[Steve Lacy (saxophonist)|Steve Lacy]] and [[Lol Coxhill]] and with trombonists [[Albert Mangelsdorff]] and [[Vinko Globokar]]. He composed music for film and theatre, and taught local musicians in [[Berlin]]. He held workshops in Germany, France, England, Belgium, and the Netherlands, and held studios at the [[Charles de Gaulle University - Lille III|University of Lille III]]. Van Hove collaborated with a number of his fellow Belgian musicians, and in 1996 was given the title of Cultural Ambassador of Flanders by the Belgian government. | Van Hove studied musical theory, harmony and piano in Belgium. He began an association with saxophonist [[Peter Brötzmann]] in 1966, playing on his early quartet and sextet recordings including 1968's ''[[Machine Gun (Peter Brötzmann album)|Machine Gun]]'' album, and then as part of a trio with Brötzmann and drummer [[Han Bennink]]. Van Hove later played in a number of duos, notably with saxophonists [[Steve Lacy (saxophonist)|Steve Lacy]] and [[Lol Coxhill]] and with trombonists [[Albert Mangelsdorff]] and [[Vinko Globokar]]. He composed music for film and theatre, and taught local musicians in [[Berlin]]. He held workshops in Germany, France, England, Belgium, and the Netherlands, and held studios at the [[Charles de Gaulle University - Lille III|University of Lille III]]. Van Hove collaborated with a number of his fellow Belgian musicians, and in 1996 was given the title of Cultural Ambassador of Flanders by the Belgian government. | ||
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Fred Van Hove (1937 – 2022) was a Belgian jazz musician and a pioneer of European free jazz, known for his contributions to albums such as Machine Gun (1968). He was a pianist, accordionist, church organist, and carillonist, an improviser and a composer. In the 1960s and 1970s he performed with saxophonist Peter Brötzmann and drummer Han Bennink.
Biography
Van Hove studied musical theory, harmony and piano in Belgium. He began an association with saxophonist Peter Brötzmann in 1966, playing on his early quartet and sextet recordings including 1968's Machine Gun album, and then as part of a trio with Brötzmann and drummer Han Bennink. Van Hove later played in a number of duos, notably with saxophonists Steve Lacy and Lol Coxhill and with trombonists Albert Mangelsdorff and Vinko Globokar. He composed music for film and theatre, and taught local musicians in Berlin. He held workshops in Germany, France, England, Belgium, and the Netherlands, and held studios at the University of Lille III. Van Hove collaborated with a number of his fellow Belgian musicians, and in 1996 was given the title of Cultural Ambassador of Flanders by the Belgian government.