Francis Lai  

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A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)
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A Scheme for abolishing all Words is one of the wittiest and smartest comments on semantics. (Illustration: extreme close-up from the movie "The Big Swallow" (1901), produced and directed by James Williamson (1855-1933)
Francis Lai (born April 26, 1932 in Nice, Alpes-Maritimes, France) is a composer noted for his film scores.

While in his twenties, Francis Lai left home and went to Paris where he became part of the lively Montmartre music scene. In 1965 he met filmmaker Claude Lelouch and was hired to help write the score for the film, Un homme et une femme (A Man and A Woman). Released in 1966, the film was a major international success, earning a number of Academy Awards, and for the young Francis Lai, a Golden Globe Award nomination for "Best Original Score." This initial success brought more opportunities to work for the film industry both in his native France as well as in Great Britain and the United States. In 1969, he wrote the score for director René Clément's film, Rider On The Rain (Le Passager de la Pluie).

In 1970 Francis Lai won the Academy Award for Best Music, Original Score and the Golden Globe Award for Best Original Score for the film, Love Story. In the United States, the soundtrack album went to No. 2 in the Billboard album charts and the film's theme, "Where Do I Begin" was a hit single with lyrics by Carl Sigman for crooner, Andy Williams. The song would also be recorded successfully by Lai himself with a full orchestra and by Henry Mancini and Shirley Bassey. Francis Lai would also write the music for the 1978 "Love Story" sequel titled, Oliver's Story.

Lai has also had success with music written for soft erotic films like Emmanuelle (1974), Emmanuelle 2 (1975) and Bilitis (1977).

His composition Aujourd'hui C'est Toi is probably best known in the UK as the theme music for the long-running BBC television current affairs documentary series Panorama.

In a career spanning forty years, Francis Lai has also written music for television programs and alone or in collaboration with others, has composed music for more than one hundred films and has personally written more than six hundred songs.

Filmograpy




Unless indicated otherwise, the text in this article is either based on Wikipedia article "Francis Lai" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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