Five Faces of Modernity  

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" Now, there is an urgent need for experiment in criticism of a new kind, which will consist largely in a logical and dialectical study of the terms used…. In literary criticism we are constantly using terms which we cannot define, and defining other things by them. We are constantly using terms which have an intension and an extension which do not quite fit: theoretically they ought to be made to fit; but if they cannot, then some other way must be found of dealing with them so that we may know at every moment what we mean. --T. S. Eliot, "Experiment in Criticism" (1929) "

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Five Faces of Modernity: Modernism, Avant-garde, Decadence, Kitsch, Postmodernism (1987) by Romanian literary critic Matei Călinescu. It is a revised edition of Faces of Modernity (1977).

From the publisher:

Five Faces of Modernity is a series of semantic and cultural biographies of words that have taken on special significance in the last century and a half or so: modernity, avant-garde, decadence, kitsch, and postmodernism. The concept of modernity—the notion that we, the living, are different and somehow superior to our predecessors and that our civilization is likely to be succeeded by one even superior to ours—is a relatively recent Western invention and one whose time may already have passed, if we believe its postmodern challengers. Calinescu documents the rise of cultural modernity and, in tracing the shifting senses of the five terms under scrutiny, illustrates the intricate value judgments, conflicting orientations, and intellectual paradoxes to which it has given rise.
Five Faces of Modernity attempts to do for the foundations of the modernist critical lexicon what earlier terminological studies have done for such complex categories as classicism, baroque, romanticism, realism, or symbolism and thereby fill a gap in literary scholarship. On another, more ambitious level, Calinescu deals at length with the larger issues, dilemmas, ideological tensions, and perplexities brought about by the assertion of modernity.

Incipit:

"It is always hard to date with precision the appearance of a concept, and all the more so when the concept under scrutiny has been throughout its history as controversial and complex as "modernity."

Contents

Modernism

Modernism

Modern Dwarfs on the Shoulders of Ancient Giants

The Problem of Time: Three Eras of Western History

It is We Who Are the Ancients

Comparing the Moderns to the Ancients

From Modern to Gothic to Romantic to Modern

The Two Modernities

Baudelaire and the Paradox of Aesthetic Modernity

Modernity, the Death of God, and Utopia

Literary and Other Modernisms

Comparing the Moderns to the Contemporaries

Avant-garde

Avant-garde

From Modernity to the Avant-Garde

The "Avant-Garde" Metaphor in the Renaissance: A Rhetorical Figure

The Romantic "Avant-Garde": From Politics to the Politics of Culture

Some Mid-Nineteenth-Century Writers and the Avant-Garde

Two Avant-Gardes: Attractions and Repulsions

Avant-Garde and Aesthetic Extremism

The Crisis of Avant-Garde's Concept in the 1960s

Avant-Garde, Dehumanization and the End of Ideology

Avant-Garde and Postmodernism

Intellectualism, Anarchism, and Stasis

Decadence

Decadence

Versions of Decadence

From "Decadence" to "Style of Decadence"

The Decadent Euphoria

Nietzsche on "Decadence" and "Modernity"

The Concept of Decadence in Marxist Criticism

Il Decadentismo

Kitsch

Kitsch

Kitsch and Modernity

Kitsch, Camp, and High Art

Etymology, Contexts of Usage, and the "Law of Aesthetic Inadequacy"

Kitsch and Romanticism

Bad Taste, Ideology, and Hedonism

Some Stylistic Considerations

Kitsch and Cultural Industrialization

The "Kitsch-Man"

Postmodernism

Postmodernism

A New Face of Modernity

Epistemology and Hermeneutics: From Modernity to Postmodernity

The Silence of the Avant-Garde

The Novelty of the Past: The View from Architecture

Critiques of Postmodernism

Literary Postmodernism: The Shaping of a Corpus

Postmodernist Devices and Their Significance

Conclusion

External links




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