Last Judgment
From The Art and Popular Culture Encyclopedia
(Difference between revisions)
| Revision as of 12:53, 16 February 2008 Jahsonic (Talk | contribs) (The Last Judgement moved to Last Judgement) ← Previous diff |
Revision as of 17:46, 23 March 2008 Jahsonic (Talk | contribs) Next diff → |
||
| Line 1: | Line 1: | ||
| {{Template}} | {{Template}} | ||
| + | # The [[judgment day]]; [[apocalypse]]. | ||
| + | #:''Do not wait for the '''Last Judgment'''. It takes place every day - [[Albert Camus]] | ||
| ==Artistic representations== | ==Artistic representations== | ||
| In art, the Last Judgment is a common theme in medieval and renaissance religious iconography. Like most early iconographic innovations, its origins stem from [[Byzantium]]. In Western Christianity, it is often the subject depicted on the central [[Pediment|tympanum]] of medieval cathedrals and churches, or as the central section of a [[triptych]], flanked by depictions of [[heaven]] and [[hell]] to the left and right, respectively (heaven being to the viewer's left, but to the Christ figure's right). | In art, the Last Judgment is a common theme in medieval and renaissance religious iconography. Like most early iconographic innovations, its origins stem from [[Byzantium]]. In Western Christianity, it is often the subject depicted on the central [[Pediment|tympanum]] of medieval cathedrals and churches, or as the central section of a [[triptych]], flanked by depictions of [[heaven]] and [[hell]] to the left and right, respectively (heaven being to the viewer's left, but to the Christ figure's right). | ||
Revision as of 17:46, 23 March 2008
|
Related e |
|
Featured: |
- The judgment day; apocalypse.
- Do not wait for the Last Judgment. It takes place every day - Albert Camus
Artistic representations
In art, the Last Judgment is a common theme in medieval and renaissance religious iconography. Like most early iconographic innovations, its origins stem from Byzantium. In Western Christianity, it is often the subject depicted on the central tympanum of medieval cathedrals and churches, or as the central section of a triptych, flanked by depictions of heaven and hell to the left and right, respectively (heaven being to the viewer's left, but to the Christ figure's right).
The most famous Renaissance depiction is Michelangelo Buonarroti's The Last Judgment in the Sistine Chapel. Included in this fresco is his self portrait, as St. Bartholomew's flayed skin.
Unless indicated otherwise, the text in this article is either based on Wikipedia article "Last Judgment" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.
