Fernando Solanas  

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"Surprisingly, many radical filmmakers cast their works in a conventional, often dated mold, unaware of the far more profound impact of artists attempting to fuse new content with new form (Resnais, Marker, Solanas, Franju, Rocha, Herzog, Godard, et al)." --Film as a Subversive Art

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Kunstformen der Natur (1904) by Ernst Haeckel
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Fernando Solanas (16 February 1936 – 6 November 2020) was an Argentine film director, screenwriter, and politician best-known for his film The Hour of the Furnaces (1968).

Contents

Vita

He also directed Tangos: el exilio de Gardel (1985), Sur (1988), El viaje (1992), La nube (1998) and Memoria del saqueo (2004), among many others. He was National Senator representing the Autonomous City of Buenos Aires for six years, from 2013 to 2019.

Solanas studied theatre, music and law. In 1962, he directed his first short feature Seguir andando and in 1968 he covertly produced and directed his first long feature film La Hora de los Hornos, a documentary on neo-colonialism and violence in Latin America. The film won several international awards and was screened around the world. Solanas won the Grand Jury Prize and the Critics Award at the Venice Film Festival and the Prix de la mise en scène at the Cannes Film Festival. In 1999 he was the President of the Jury at the 21st Moscow International Film Festival. He was awarded a special Honorary Golden Bear at the 2004 Berlin Film Festival. He collaborated with tango composer and musician Ástor Piazzolla on the soundtracks for various movies.

Context

Solanas was at the forefront of the Grupo Cine Liberación that shook Argentine cinema in the 1970s, developing its social conscience and political voice. He was active in the campaign to support Perón. Threatened by right-wing forces in the 1970s, one of his actors was assassinated and he himself was almost kidnapped.

Together with Octavio Getino, Solanas wrote the manifesto "Toward a Third Cinema". The idea of a political Third Cinema, opposed to Hollywood cinema and European auteur cinema, inspired film makers in many so-called developing countries.

Solanas went into exile in Paris in 1976, only returning to Argentina with the arrival of democracy in 1983.

Political work

He continued to make political films and was an outspoken critic of Carlos Menem, the Argentine President. Three days after such a public criticism, on 21 May 1991, Solanas was shot six times in his legs. Despite dealing with the attack and disability, Solanas became even more involved in politics and stood to be a Senator for Buenos Aires, receiving 7% of the vote in 1992. A year later he was elected a National Deputy for the Frente Grande list, although he left the party after a year.

Solanas continued to write and direct, including the 2005 film La Dignidad de los Nadies and the recent 2008 film La última estación. His son, Juan Solanas, is also a noted film director.

In October 2007, Solanas was a presidential candidate in the 2007 Argentine general election for the Authentic Socialist Party. He became the 5th most voted candidate, with 1.58% of the vote.

In 2009, Solanas was elected as National Deputy for the city of Buenos Aires on the June 28th parliamentary elections, as his party Proyecto Sur became the 2nd force in the city by collecting 24.2% of the votes. In 2013, Solanas was elected National Senator, representing Buenos Aires City in the 2013-2019 period.

Filmography

Quotes

"The possibility of making a new cinema completely outside the system depends on whether or not filmmakers can transform themselves from 'directors' into total filmmakers. And no one can become a total filmmaker without being a film technician, without being capable of handling the production."



Unless indicated otherwise, the text in this article is either based on Wikipedia article "Fernando Solanas" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on original research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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