Angels in art  

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The Two Cherubs, by Raphael, detail from the Sistine Madonna
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The Two Cherubs, by Raphael, detail from the Sistine Madonna

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Angels have appeared in works of art since early Christian art, and they have been a popular subject for Byzantine and European paintings and sculpture.

Angels are usually intended, in both Christian and Islamic art, to be beautiful, though several depictions go for more awesome/frightening attributes, notably in the depiction of the living creatures (which have beastial characteristics), ophanim (which are unanthropomorphic wheels) and cherubim (which have mosaic features); As a matter of theology, they are spiritual beings who do not eat or excrete and are genderless. Many angels in art may appear to the modern eye to be gendered as either male or female by their dress or actions, but until the 19th century, even the most female looking will normally lack breasts, and the figures should normally be considered as genderless. In 19th-century art, especially funerary art, this traditional convention is sometimes abandoned.

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In Christian art

The earliest known Christian image of an angel, in the Cubicolo dell'Annunziazione in the Catacomb of Priscilla, which is dated to the middle of the third century, is without wings. Representations of angels on sarcophagi and on objects such as lamps and reliquaries of that period also show them without wings, as for example the angel in the Sacrifice of Isaac scene in the Sarcophagus of Junius Bassus.

The earliest known representation of angels with wings is on what is called the Prince's Sarcophagus, discovered at Sarigüzel, near Istanbul, in the 1930s, and attributed to the time of Theodosius I (379-395).

In this same period, Saint John Chrysostom explained the significance of angels' wings: "They manifest a nature's sublimity. That is why Gabriel is represented with wings. Not that angels have wings, but that you may know that they leave the heights and the most elevated dwelling to approach human nature. Accordingly, the wings attributed to these powers have no other meaning than to indicate the sublimity of their nature."

From then on, though of course with some exceptions, Christian art represented angels with wings, as in the cycle of mosaics in the Basilica of Saint Mary Major (432-440). Multi-winged angels, often with only their face and wings showing, drawn from the higher grades of angels, especially cherubim and seraphim, are derived from Persian art, and are usually shown only in heavenly contexts, as opposed to performing tasks on earth. They often appear in the pendentives of domes or semi-domes of churches.

Angels, especially the Archangel Michael, who were depicted as military-style agents of God came to shown wearing Late Antique military uniform. This could be either the normal military dress, with a tunic to about the knees, armour breastplate and pteruges, but also often the specific dress of the bodyguard of the Byzantine Emperor, with a long tunic and the loros, a long gold and jewelled pallium restricted to the Imperial family and their closest guards. The basic military dress it is still worn in pictures into the Baroque period and beyond in the West (see Reni picture above), and up to the present day in Eastern Orthodox icons. Other angels came to be conventionally depicted in long robes, and in the later Middle Ages they often wear the vestments of a deacon, a cope over a dalmatic, especially Gabriel in Annunciation scenes - for example the Annunciation in Washington by Jan van Eyck.

A few noteworthy examples are:

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Contemporary works of art with angels

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Anime and manga

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Art

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Books

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Comic books

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Games

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Collectible card games

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Video and computer games

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Movies

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Plays

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Classical music

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Popular music

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TV series



Unless indicated otherwise, the text in this article is either based on Wikipedia article "Angels in art" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

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