Fanny Hill  

From The Art and Popular Culture Encyclopedia

(Difference between revisions)
Jump to: navigation, search
Revision as of 11:59, 14 March 2010
Jahsonic (Talk | contribs)
(18th and 19th centuries)
← Previous diff
Revision as of 12:00, 14 March 2010
Jahsonic (Talk | contribs)
(18th and 19th centuries)
Next diff →
Line 14: Line 14:
:''[[Memoirs v. Massachusetts]], [[Fanny Hill obscenity trial]]'' :''[[Memoirs v. Massachusetts]], [[Fanny Hill obscenity trial]]''
===18th and 19th centuries=== ===18th and 19th centuries===
-The novel was published in two instalments, on November 21, 1748 and February of 1749, respectively, by "G. Fenton", actually Fenton Griffiths and his brother [[Ralph Griffiths|Ralph]]. Initially, there was no governmental reaction to the novel, and it was only in November 1749, a year after the first instalment was published, that Cleland and Ralph Griffiths were arrested and charged with "corrupting the King's subjects." In court, Cleland renounced the novel and it was officially withdrawn. However, as the book became popular, [[copyright infringement|pirate edition]]s appeared. In particular, an episode was [[Interpolation (manuscripts)|interpolated]] into the book depicting [[homosexuality]] between men, which Fanny observes through a chink in the wall. Cleland published an [[expurgated]] version of the book in March 1750, but was nevertheless prosecuted for that, too, although the charges were subsequently dropped. Some historians, such as [[J. H. Plumb]], have hypothesised that the prosecution was actually caused by the pirate edition containing the "[[sodomy]]" scene.+The novel was published in two instalments, on November 21, 1748 and February of 1749, respectively, by "G. Fenton", actually Fenton Griffiths and his brother [[Ralph Griffiths|Ralph]]. Initially, there was no governmental reaction to the novel, and it was only in November 1749, a year after the first instalment was published, that Cleland and Ralph Griffiths were arrested and charged with "corrupting the King's subjects." In court, Cleland renounced the novel and it was officially withdrawn. However, as the book became popular, [[Piracy in the publishing industry|pirate edition]]s appeared. In particular, an episode was [[Interpolation (manuscripts)|interpolated]] into the book depicting [[homosexuality]] between men, which Fanny observes through a chink in the wall. Cleland published an [[expurgated]] version of the book in March 1750, but was nevertheless prosecuted for that, too, although the charges were subsequently dropped. Some historians, such as [[J. H. Plumb]], have hypothesised that the prosecution was actually caused by the pirate edition containing the "[[sodomy]]" scene.
In the 19th century, copies of the book were sold "[[underground culture|underground]]," and the book eventually made its way to the [[United States]] where, in [[1821]], it was [[Ban (law)|banned]] for [[obscenity]]. In the 19th century, copies of the book were sold "[[underground culture|underground]]," and the book eventually made its way to the [[United States]] where, in [[1821]], it was [[Ban (law)|banned]] for [[obscenity]].

Revision as of 12:00, 14 March 2010

Related e

Wikipedia
Wiktionary
Shop


Featured:

literature written in prison, literary mystification, The Lustful Turk comparison to Fanny Hill

Memoirs of a Woman of Pleasure, also known as Fanny Hill, is a novel presented as a memoir by John Cleland. Written in 1748 while Cleland was in debtor's prison in London (see also: literature written in prison), it is considered the first modern "erotic novel", and has become a byword for the battle of censorship of erotica. The novel was adapted for film several times, most famously by Tinto brass (Paprika, Italy, 1991) and as a BBC serial in 2007.

While the text satirised the literary conventions and fashionable manners of 18th century England, it was more scandalous for depicting a woman, the narrator, enjoying and even reveling in sexual acts with no dire moral or physical consequences. The text is hardly explicit as Cleland wrote the entire book using euphemisms for sex acts and body parts, employing 50 different ones just for the term penis. Two small earthquakes were credited to the book by the Bishop of London and Cleland was arrested and briefly imprisoned, but Fanny Hill continued to be published and is one of the most reprinted books in the English language. However, it was not legal to own this book in the United States until 1963 and in the United Kingdom until 1970.

Contents

Plot

The book concerns the titular character, who begins as a poor country girl who is forced by poverty to leave her village home and go to town. There, she is tricked into working in a brothel, but before losing her virginity there, escapes with a man named Charles with whom she has fallen in love. After several months of living together, Charles is sent out of the country unexpectedly by his father, and Fanny is forced to take up a succession of new lovers to survive.

What is remarkable and innovative about the novel is that Cleland's writing style is witty, learned, and full of Classical asides. Also, Fanny herself does not, like Roxana or Moll Flanders, repent. She has no remorse for her education in sex, although she does realize that she is being exploited. Further, Fanny acts as a picara: as a prostitute she shows the wealthy men of the peerage at their most base and private . Samuel Richardson and Daniel Defoe had written about women forced into compromised situations before, and they had hinted graphically enough that the subversive and erotic context was present, but neither made their heroines women of pleasure. Neither of them imputed to their women any joy in their situation, whereas Cleland does.

Publishing history

Memoirs v. Massachusetts, Fanny Hill obscenity trial

18th and 19th centuries

The novel was published in two instalments, on November 21, 1748 and February of 1749, respectively, by "G. Fenton", actually Fenton Griffiths and his brother Ralph. Initially, there was no governmental reaction to the novel, and it was only in November 1749, a year after the first instalment was published, that Cleland and Ralph Griffiths were arrested and charged with "corrupting the King's subjects." In court, Cleland renounced the novel and it was officially withdrawn. However, as the book became popular, pirate editions appeared. In particular, an episode was interpolated into the book depicting homosexuality between men, which Fanny observes through a chink in the wall. Cleland published an expurgated version of the book in March 1750, but was nevertheless prosecuted for that, too, although the charges were subsequently dropped. Some historians, such as J. H. Plumb, have hypothesised that the prosecution was actually caused by the pirate edition containing the "sodomy" scene.

In the 19th century, copies of the book were sold "underground," and the book eventually made its way to the United States where, in 1821, it was banned for obscenity.

In the 19th century, copies of the book were sold "underground."

20th century

It was not until 1963, after the failure of the British obscenity trial of Lady Chatterley's Lover in 1960 that Mayflower Books, with Gareth Powell as Managing Director, published an unexpurgated paperback version of Fanny Hill. In December 1963 distributor Ralph Gold was summonsed under section 3 of the Obscenity Act. The defence argued that Fanny Hill was a historical source book and that it was a joyful celebration of normal non-perverted sex - bawdy rather than pornographic. The prosecution countered by stressing one atypical scene involving flagellation, and won. Mayflower decided not to appeal. But the case had highlighted the growing disconnect between the obscenity laws and the social realities of late 1960s Britain, and was instrumental in shifting views to the point where in 1970 an unexpurgated version of Fanny Hill was once again published in Britain.

In a landmark decision in 1966, the United States Supreme Court ruled in Memoirs v. Massachusetts that the banned novel did not meet the Roth standard for obscenity.

Erica Jong's 1980 novel Fanny purports to tell the story from Fanny's point of view, with Cleland as a character she complains fictionalized her life.

Extract

From [1]

...and now, disengag’d from the shirt, I saw, with wonder and surprise, what? not the play-thing of a boy, not the weapon of a man, but a maypole of so enormous a standard, that had proportions been observ’d, it must have belong’d to a young giant. Its prodigious size made me shrink again; yet I could not, without pleasure, behold, and even ventur’d to feel, such a length, such a breadth of animated ivory! perfectly well turn’d and fashion’d, the proud stiffness of which distended its skin, whose smooth polish and velvet softness might vie with that of the most delicate of our sex, and whose exquisite whiteness was not a little set off by a sprout of black curling hair round the root, through the jetty sprigs of which the fair skin shew’d as in a fine evening you may have remark’d the clear light ether through the branchwork of distant trees over-topping the summit of a hill: then the broad and blueish-casted incarnate of the head, and blue serpentines of its veins, altogether compos’d the most striking assemblage of figure and colours in nature. In short, it stood an object of terror and delight.
But what was yet more surprising, the owner of this natural curiosity, through the want of occasions in the strictness of his home-breeding, and the little time he had been in town not having afforded him one, was hitherto an absolute stranger, in practice at least, to the use of all that manhood he was so nobly stock’d with; and it now fell to my lot to stand his first trial of it, if I could resolve to run the risks of its disproportion to that tender part of me, which such an oversiz’d machine was very fit to lay in ruins.

References in popular culture

References in literary works

  • In a portrait that appears in the first volume of Alan Moore's The League of Extraordinary Gentlemen, Fanny Hill is depicted as a member of the 18th century version of the League. She also appears more prominently in "The Black Dossier" as a member of Gulliver's League, as well as a "sequel" to the original Hill novel, complete with illustrations by Kevin O'Neill. The setting of her involvement with the League begins with her divorce from Charles after he is caught in the act in a brothel kept by former League member Amber St. Clare, and is shown to have been sexually involved with both Gulliver and Captain Clegg nearly 40 years before the second League was founded. She doesn't age as an effect of her stay at Horselberg. This version has apparently pursued a lesbian relationship with a character named Venus (who seems to be an amalgamation of the various versions of the Goddess of love in literature) for at least a century and a half as of the Black Dossier and in contrast to the novel's relationships this one seems to be enduring.
  • In the book Frost at Christmas by R. D. Wingfield, the vicar has a copy of Fanny Hill hidden in his trunk amongst other dirty books.
  • In Lita Grey's book, My Life With Chaplin, she claims that Charlie Chaplin "whispered references to some of Fanny Hill's episodes" to arouse her before making love.

References in film, television, musical theatre and song

  • The novel is also mentioned in Tom Lehrer's song "Smut".
  • A tongue-in-cheek reference to Fanny Hill appears in the 1968 David Niven, Lola Albright film The Impossible Years. In one scene the younger daughter of Niven's character is seen reading Fanny Hill, whereas his older daughter, Linda, has apparently graduated from Cleland's sensationalism and is seen reading Sartre instead.
  • In the 1968 version of Yours, Mine, and Ours, Henry Fonda's character, Frank Beardsley, refers to "Fanny Hill" when giving some fatherly advice to his stepdaughter. Her boyfriend is pressuring her for sex and Frank says boys tried the same thing when he was her age. When she tries to tell him that things are different now he observes, "I don't know, they wrote 'Fanny Hill' in 1742 [sic] and they haven't found anything new since."
  • In an episode of M*A*S*H, Radar O'Reilly thanks Sparky for sending the book Fanny Hill but says the last chapter was missing and asks "Whodunnit?" Sparky answers "Everybody."
  • In a segment in the film The Groove Tube (1974), children's TV show host KOKO the Clown asks the children in his audience to send their parents out of the room during "make believe time." He then proceeds to read an except from page 47 of Fanny Hill in response to a viewer's request.





Unless indicated otherwise, the text in this article is either based on Wikipedia article "Fanny Hill" or another language Wikipedia page thereof used under the terms of the GNU Free Documentation License; or on research by Jahsonic and friends. See Art and Popular Culture's copyright notice.

Personal tools