Experimental literature
From The Art and Popular Culture Encyclopedia
| Revision as of 19:19, 24 May 2007 WikiSysop (Talk | contribs) (Experimental novel moved to Experimental literature) ← Previous diff |
Revision as of 19:19, 24 May 2007 WikiSysop (Talk | contribs) Next diff → |
||
| Line 1: | Line 1: | ||
| {{Template}} | {{Template}} | ||
| + | '''Experimental literature''' are written works - often [[novels]] or [[magazines]] - that place great emphasis on [[innovation]]s regarding [[literary genre|style]] and [[Literary technique|technique]].<P> | ||
| + | |||
| + | ==Early history== | ||
| + | The first text generally cited in this category is [[Laurence Sterne]]'s ''[[The Life and Opinions of Tristram Shandy, Gentleman]]'' (1759). This extraordinary text "pre-breaks" most of the "rules" that would be subsequently advanced for the writing of fiction. | ||
| + | |||
| + | As a "life story" ''Tristram Shandy'' is utterly impractical, its first half spent trying to have the titular hero be born, and on utterly irrelevant digressions about the narrator's father, his Uncle Toby, and anybody else within range of the narrative. Suddenly the narrative leaps forward by decades, and the narrator is seen near the end of his life, riding a coach at breakneck speed across France, trying to escape Death. | ||
| + | |||
| + | In its postmodern approach to narrative, and its willingness to use such graphic elements as an all-black page (for mourning) and a page of marbled end-paper within the text, Sterne's novel is a foundational text for many post-World War II authors. But alongside the experimental novel, critical attacks on the experimental novel are also to be found at this early period. [[Samuel Johnson]], for instance, is quoted in [[James Boswell|Boswell]] as saying "The merely odd does not last. ''Tristram Shandy'' did not last." | ||
| + | |||
| + | Almost as early is [[Denis Diderot]]'s ''[[Jacques the Fatalist and His Master]]''. | ||
| + | |||
| + | == See also == | ||
| + | * [[Antinovel]] | ||
| + | * [[Asemic]] Writing | ||
| + | * [[Ergodic literature]] | ||
| + | * [[Lettrism]] | ||
| + | * [[Metafiction]] | ||
| + | * [[Modernist literature]] | ||
| + | * [[Nouveau roman]] | ||
| + | * [[Nonlinear (arts)]] | ||
| + | * [[Postmodern literature]] | ||
| + | |||
| {{GFDL}} | {{GFDL}} | ||
Revision as of 19:19, 24 May 2007
|
Related e |
|
Featured: |
Early history
The first text generally cited in this category is Laurence Sterne's The Life and Opinions of Tristram Shandy, Gentleman (1759). This extraordinary text "pre-breaks" most of the "rules" that would be subsequently advanced for the writing of fiction.
As a "life story" Tristram Shandy is utterly impractical, its first half spent trying to have the titular hero be born, and on utterly irrelevant digressions about the narrator's father, his Uncle Toby, and anybody else within range of the narrative. Suddenly the narrative leaps forward by decades, and the narrator is seen near the end of his life, riding a coach at breakneck speed across France, trying to escape Death.
In its postmodern approach to narrative, and its willingness to use such graphic elements as an all-black page (for mourning) and a page of marbled end-paper within the text, Sterne's novel is a foundational text for many post-World War II authors. But alongside the experimental novel, critical attacks on the experimental novel are also to be found at this early period. Samuel Johnson, for instance, is quoted in Boswell as saying "The merely odd does not last. Tristram Shandy did not last."
Almost as early is Denis Diderot's Jacques the Fatalist and His Master.
See also
- Antinovel
- Asemic Writing
- Ergodic literature
- Lettrism
- Metafiction
- Modernist literature
- Nouveau roman
- Nonlinear (arts)
- Postmodern literature
