Experimental Research into Certain Possibilities of Irrational Embellishment of a City  

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Kunstformen der Natur (1904) by Ernst Haeckel
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Kunstformen der Natur (1904) by Ernst Haeckel

"Experimental Research into Certain Possibilities of Irrational Embellishment of a City"[1] (French: Recherches expérimentales sur certaines possibilités d'embellissement irrationnel d'une ville) is a study conducted by the French Surrealists. The study consisted of a questionnaire on how to embellish certain Parisian monuments and landmarks. It was published in Le Surréalisme au service de la révolution, n° 6 (Paris, mai, 1933).

The respondents were André Breton, Paul Éluard, Arthur Harfaux, Maurice Henry, Benjamin Péret, Tristan Tzara and Georges Wenstein.

The first question was:

Doit-on conserver, déplacer, modifier, transformer ou supprimer : – 1. L’arc de Triomphe – 2. L’obélisque – 3. La Tour Eiffel – 4. La Tour Saint-Jacques – 5. La statue de Chappe – 6. La statue de Gambetta – 7. La statue de Jeanne-d’Arc (rue de Rivoli ) – 8. Paris pendant la guerre – 9. La Défense de Paris en 1870 – 10. La République (place de la République) – 11. La colonne Vendôme – 12. Le Sacré-Cœur – 13. Le Trocadéro – 14. Le Chevalier de la Barre – 15. Le Lion de Belfort – 16. L’Opéra – 17. Les Invalides – 18. Le Palais de Justice – 19. La Sainte-Chapelle – 20. Le Chabanais – 21. Notre-Dame – 22. La Nationale – 23. La statue de Panhard – 24. La statue d’Alfred de Musset – 25. La statue de Clémenceau – 26. Le Panthéon – 27. La statue d’Henri IV – 28. La statue de Victor Hugo (Palais-Royal) – 29. La statue de Louis XIV – 30. La gare de l’Est- – 31. La statue de Camille Desmoulins ?

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