Erotic art in Pompeii and Herculaneum
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| :''[[Secret Museum, Naples]], [[early erotica]]'' | :''[[Secret Museum, Naples]], [[early erotica]]'' | ||
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| + | :When Europeans discovered the ruins of Pompeii in the [[1740s]] they were forced to grapple with abundantly public images and objects commonplace in ancient Roman culture depicting bestiality and other sexual activities considered taboo to even discuss. Victorians systematically categorized the findings in “[[secret museum]]s,” thereby setting the stage for the new genre of pornography. --[[Sholem Stein]] | ||
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| '''Erotic art in Pompeii and Herculaneum''' was discovered in the ancient cities around the bay of Naples (particularly of [[Pompeii]] and [[Herculaneum]]) after extensive [[excavation]]s began in the [[18th century]]. The city was found to be full of [[erotic art]] and [[fresco]]es, symbols, and inscriptions regarded by its excavators as [[pornography|pornographic]]. Even many recovered household items had a sexual theme. The ubiquity of such imagery and items indicates that the [[sexual mores]] of the [[Culture of ancient Rome|ancient Roman culture]] of the time were much more liberal than most present-day cultures, although much of what might seem to us to be erotic imagery (eg oversized [[phallus]]es) was in fact [[fertility]]-imagery. This [[culture shock|clash of cultures]] led to an unknown number of discoveries being hidden away again. For example, a [[wall fresco]] which depicted [[Priapus]], the ancient god of sex and fertility, with his extremely enlarged [[penis]], was covered with plaster (and, as [[Karl Schefold]] explains (p. 134), even the older reproduction below was locked away "out of prudishness" and only opened on request) and only rediscovered in [[1998]] due to rainfall. [[The Times]] reported in 2006 "Erotic frescoes put Pompeii brothel on the tourist map". | '''Erotic art in Pompeii and Herculaneum''' was discovered in the ancient cities around the bay of Naples (particularly of [[Pompeii]] and [[Herculaneum]]) after extensive [[excavation]]s began in the [[18th century]]. The city was found to be full of [[erotic art]] and [[fresco]]es, symbols, and inscriptions regarded by its excavators as [[pornography|pornographic]]. Even many recovered household items had a sexual theme. The ubiquity of such imagery and items indicates that the [[sexual mores]] of the [[Culture of ancient Rome|ancient Roman culture]] of the time were much more liberal than most present-day cultures, although much of what might seem to us to be erotic imagery (eg oversized [[phallus]]es) was in fact [[fertility]]-imagery. This [[culture shock|clash of cultures]] led to an unknown number of discoveries being hidden away again. For example, a [[wall fresco]] which depicted [[Priapus]], the ancient god of sex and fertility, with his extremely enlarged [[penis]], was covered with plaster (and, as [[Karl Schefold]] explains (p. 134), even the older reproduction below was locked away "out of prudishness" and only opened on request) and only rediscovered in [[1998]] due to rainfall. [[The Times]] reported in 2006 "Erotic frescoes put Pompeii brothel on the tourist map". | ||
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- When Europeans discovered the ruins of Pompeii in the 1740s they were forced to grapple with abundantly public images and objects commonplace in ancient Roman culture depicting bestiality and other sexual activities considered taboo to even discuss. Victorians systematically categorized the findings in “secret museums,” thereby setting the stage for the new genre of pornography. --Sholem Stein
Erotic art in Pompeii and Herculaneum was discovered in the ancient cities around the bay of Naples (particularly of Pompeii and Herculaneum) after extensive excavations began in the 18th century. The city was found to be full of erotic art and frescoes, symbols, and inscriptions regarded by its excavators as pornographic. Even many recovered household items had a sexual theme. The ubiquity of such imagery and items indicates that the sexual mores of the ancient Roman culture of the time were much more liberal than most present-day cultures, although much of what might seem to us to be erotic imagery (eg oversized phalluses) was in fact fertility-imagery. This clash of cultures led to an unknown number of discoveries being hidden away again. For example, a wall fresco which depicted Priapus, the ancient god of sex and fertility, with his extremely enlarged penis, was covered with plaster (and, as Karl Schefold explains (p. 134), even the older reproduction below was locked away "out of prudishness" and only opened on request) and only rediscovered in 1998 due to rainfall. The Times reported in 2006 "Erotic frescoes put Pompeii brothel on the tourist map".
In 1819, when King Francis I of Naples visited the Pompeii exhibition at the National Museum with his wife and daughter, he was so embarrassed by the erotic artwork that he decided to have it locked away in a secret cabinet, accessible only to "people of mature age and respected morals". Re-opened, closed, re-opened again and then closed again for nearly 100 years, it was briefly made accessible again at the end of the 1960s (the time of the sexual revolution) and was finally re-opened for viewing in 2000. Minors are still only allowed entry to the once secret cabinet in the presence of a guardian or with written permission.
See also
